What does it mean to be an Indigenous man today? Between October 2010 and May 2013, Sam McKegney conducted interviews with leading Indigenous artists, critics, activists, and elders on the subject of Indigenous manhood. In offices, kitchens, and coffee shops, and once in a car driving down the 401, McKegney and his participants tackled crucial questions about masculine self-worth and how to foster balanced and empowered gender relations.

Masculindians captures twenty of these conversations in a volume that is intensely personal, yet speaks across generations, geography, and gender boundaries. As varied as their speakers, the discussions range from culture, history, and world view to gender theory, artistic representations, and activist interventions. They speak of possibility and strength, of beauty and vulnerability. They speak of sensuality, eroticism, and warriorhood, and of the corrosive influence of shame, racism, and violence. Firmly grounding Indigenous continuance in sacred landscapes, interpersonal reciprocity, and relations with other-than-human kin, these conversations honour and embolden the generative potential of healthy Indigenous masculinities.

Sam McKegney is a settler scholar of Indigenous literatures and is Professor and Head of the Department of English at Queen’s University in the territory of the Haudenosaunee and Anishinaabe Peoples. He has published two books—Masculindians: Conversations about Indigenous Manhood and Magic Weapons: Aboriginal Writers Remaking Community after Residential School—and articles on such topics as masculinity, environmental kinship, prison writing, and mythologies of hockey.

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Joseph Boyden's first novel, Three Day Road, was selected for the Today Show Book Club, won the Rogers Writers’ Trust Fiction Prize, the CBA Libris Fiction Book of the Year Award, the Amazon.ca/Books in Canada First Novel Award, and the McNally Robinson Aboriginal Book of the Year Award, and was shortlisted for the Governor General’s Award for Fiction. His second novel, Through Black Spruce, was awarded the Scotiabank Giller Prize and named the Canadian Booksellers Association Fiction Book of the Year; it also earned him the CBA’s Author of the Year Award. His most recent novel, The Orenda, won Canada Reads and was nominated for the Scotiabank Giller Prize and the Governor General’s Award for Fiction. Boyden divides his time between Northern Ontario and Louisiana.

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Tomson Highway was born near Maria Lake, Manitoba in 1951. His father, Joe, was a hunter, fisherman and sled-dog racer, and his family lived a nomadic lifestyle. With no access to books, television or radio, Highway’s parents would tell their children stories; thus began Highway’s life-long interest in the oral tradition of storytelling. When he was six, Highway was taken from his family and placed in residential school in The Pas; he subsequently went to high school in Winnipeg and then travelled to London to study at the University of Western Ontario, earning a music degree in 1975 and a Bachelor of Arts degree in 1976. Instead of becoming a professional concert musician as he had at one point contemplated, however, Highway decided instead to dedicate his life to the service of his people. Fluent in Cree, English and French, he was for six years the artistic director of Native Earth Performing Arts, the first and most enduring Native professional company in Canada which he also helped found. From 1975 to 1978 Highway worked as a cultural worker for the Native Peoples’ Resource Centre. He has worked for the Ontario Ministry of Citizenship and Culture and also for the Ontario Federation of Indian Friendship Centres as a program analyst. From 1983 to 1985 he worked as a freelance theatre artist before becoming the artistic director of the De-ba-jeh-mu-jig Theatre Company in 1986. He has been writer-in-residence at the University of Toronto, University of British Columbia, and Concordia University. Tomson Highway is widely recognized for his tremendous contribution to the development of Aboriginal theatre in both Canada and around the world. In 1994, he was inducted into the Order of Canada, the first Aboriginal writer to be so honoured.

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Lee Maracle is a member of the Sto:Lo nation. She was born in Vancouver and grew up on the North Shore. She is the author of the critically acclaimed novels Ravensong and Daughters Are Forever. Her novel for young adults, Will’s Garden was well-received and is taught in schools. She has also published on book of poetry, Bent Box, and a work of creative non-fiction, I Am Woman. She is the co-editor of a number of anthologies, including the award winning anthology My Home As I Remember and Telling It: Women and Language across Culture. Her work has been published in anthologies and scholarly journals worldwide. The mother of four and grandmother of seven, Maracle is currently an instructor at the University of Toronto, the Traditional Teacher for First Nation’s House, and instructor with the Centre for Indigenous Theatre and the S.A.G.E. (Support for Aboriginal Graduate Education). She is also a writing instructor at the Banff Centre for the Arts.

In 2009, Maracle received an Honorary Doctor of Letters from St. Thomas University. Maracle recently received the Queen’s Diamond Jubilee Medal for her work promoting writing among Aboriginal Youth, and is 2014 finalist for the Ontario Premier’s Award for Excellence in the Arts.

Maracle has served as Distinguished Visiting Scholar at the University of Toronto, University of Waterloo, and the University of Western Washington.

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Niigaanwewidam James Sinclair is Anishinaabe, originally from St. Peter's (Little Peguis) Indian Settlement. He is an assistant professor in the departments of English and Native Studies at the University of Manitoba. His essays, articles, and short stories have appeared in books and journals throughout Turtle Island. In 2009, he co-edited (with Renate Eigenbrod) a double issue of The Canadian Journal of Native Studies (#29; 1 & 2) and was a featured author in The Exile Book of Native Canadian Fiction and Drama, edited by Daniel David Moses (2011). His upcoming book Manitowapow: Aboriginal Writings from the Land of Water (co-edited with Warren Cariou) is an anthology of Manitoba Aboriginal writing from the past three centuries (Portage & Main Press). Another, Centering Anishinaabeg Studies (co-edited with Jill Doerfler and Heidi Kiiwetinepinesiik Stark), is a collection of critical and creative works on Anishinaabeg story (Michigan State University Press). A former high-school drama and language arts teacher, Niigaan has authored a number of teachers' guides for Portage & Main Press. He currently lives in Winnipeg, where he is completing his PhD in Anishinaabeg literatures and traditional expression.

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Basil Johnston has written 15 books in English and 5 in Ojibway to show that there is much more to North American Indigenous life than social organization, hunting and fishing, food preparation, clothing, dwellings and transportation. Among the books that Basil has written are Ojibway Heritage, Indian School Days, Crazy Dave, and Honour Earth Mother (Kegedonce Press). Basil believes the key to understanding culture is language and to this end he has developed audio programs on cassette and CD. For his work Johnston has received numerous awards including the Order of Ontario and Honourary Doctorates from the University of Toronto and Laurentian University.

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Dana Claxton is a Canadian interdisciplinary artist of Lakota Sioux descent. Her work includes film and video, installation and performance art, and centres on concerns of beauty, justice, autonomy and spirit. She is represented in public collections, has been shown internationally, and has received numerous awards including the VIVA Award from the Doris and Jack Shadbolt Foundation for her commitment to contemporary art in Vancouver; and in 2007 became an Eiteljorg Fellow sponsored by the Ford Foundation. She has held positions as Adjunct Professor at Emily Carr Institute of Art & Design, Vancouver; Assistant Professor in the Department of Art History, Visual Art and Theory at the University of British Columbia, Vancouver; 2009/10 Ruth Wynn Woodward Endowed Chair in Women's Studies at Simon Fraser University, Burnaby; and was a founding director of the Indigenous Media Arts Group, Vancouver.

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Daniel David Moses, playwright and poet, is a Delaware who was born at Ohsweken, Ontario on the Six Nations lands. Now living in Toronto, he writes and works with Native and cross-cultural organizations. He is the author of Coyote City, nominated for the 1991 Governor General's Award for Drama, and The Dreaming Beauty, Big Buck City, Almighty Voice and His Wife, and The Mite Lines, a book of poetry. He is co-editor with Terry Goldie of An Anthology of Canadian Native Literature in English.

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Louise Halfe has three book publications to her credit. Bear Bones & Feathers was published by Coteau Books in 1994. It received the Canadian Peoples Poet Award, and was a finalist for the Spirit of Saskatchewan Award in that year. Blue Marrow was originally published by McLelland & Stewart in 1998; its revised edition was released by Coteau Books in September 2004. It was a finalist for both the Governor General’s Award for Poetry and the Pat Lowther Award, and for the 1998 Saskatchewan Book of the Year Award and the Saskatchewan Poetry Award. Her most recent work, The Crooked Good, was published in 2007. Louise Bernice Halfe's Cree name is Sky Dancer. She was born on the Saddle Lake Reserve in Two Hills, Alberta in 1953. At the age of seven, she was sent to the Blue Quills Residential School in St. Paul, Alberta. She left residential school of her own accord when she was sixteen, breaking ties with her family and completing her studies at St. Paul's regional high school. It was at this time that she began writing a journal about her life experiences. Halfe made her debut as a poet in Writing the Circle: Native Women of Western Canada, the acclaimed anthology of life-writings by Native women. In 1993 she was awarded third prize in the League of Canadian Poets' national poetry contest and was Saskatchewan’s Poet Laureate for 2005-2006.

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Taiaiake Alfred is a Kahnawà:ke Mohawk philosopher and political strategist with more than three decades of experience in First Nations governance, political activism, and cultural restoration. After twenty-five years as a university professor, he now works directly with Indigenous nations to help breathe life into their visions of self-determination. He has been awarded a Canada Research Chair, a National Aboriginal Achievement/Indspire Award, and the Native American Journalists Association award for best column writing. He is the author of three highly acclaimed books: Heeding the Voices of Our Ancestors: Kahnawake Mohawk Politics and the Rise of Native Nationalism; Peace, Power, Righteousness: An Indigenous Manifesto; and Wasáse: Indigenous Pathways of Action and Freedom.

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Janice C. Hill's profile page

Kim Anderson is an Associate Professor in the Department of Indigenous Studies at Wilfrid Laurier University. She has published over thirty book chapters and journal articles and is also the principal investigator for two SSHRC research projects: Bidwewidam Indigenous Masculinities (2011-2014) and Indigenous Knowledge Translation in Urban Aboriginal Settings (2014-2017). Anderson is a long-standing advocate for Indigenous women and families and is regularly involved in community-based research and teaching in this area.

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Thomas Kimeksun Thrasher's profile page

Brendan Hokowhitu's profile page

Ty P. Kawika Tengan's profile page

Warren Cariou was born in Meadow Lake, Saskatchewan, into a family of mixed Métis and European heritage. He has written many articles about Canadian Aboriginal literature, especially on Métis culture and storytelling, and he has published two books: a collection of novellas, The Exalted Company of Roadside Martyrs (1999) and a memoir/cultural history, Lake of the Prairies: A Story of Belonging (2002). He has also co-directed and co-produced two films about Aboriginal people in western Canada’s oil sands region: Overburden and Land of Oil and Water. Cariou has won and been nominated for numerous awards. His most acclaimed work to date, Lake of the Prairies, won the Drainie-Taylor Biography Prize in 2002 and was shortlisted for the Charles Taylor Prize for literary nonfiction in 2004. His films have screened at many national and international film festivals, including Hot Docs, ImagineNative, and the San Francisco American Indian Film Festival. Cariou has also served as editor for several books, including an anthology of Aboriginal literature, W’daub Awae: Speaking True (2010), and he is the fiction co-editor of Prairie Fire. Cariou is a Canada Research Chair in Narrative, Community and Indigenous Cultures at the University of Manitoba, where he also directs the Centre for Creative Writing and Oral Culture.

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Alison Calder’s first poetry collection, Wolf Tree, won two Manitoba Book Awards and was a finalist for both the Gerald Lampert Award and the Pat Lowther Award for Canadian poetry. Her poetry has been published in journals and anthologies, most notably Breathing Fire:Canada’s New Poets and Exposed, and has twice circulated on Winnipeg city buses.She is the editor of Desire Never Leaves: The Poetry of Tim Lilburn (Wilfred Laurier University Press, 2007) and a critical edition of Frederick Philip Grove’s 1924 novel Settlers of the Marsh (Borealis, 2006), and the co-editor of History, Literature, and the Writing of the Canadian Prairies (University of Manitoba Press, 2005).Born in England, Alison Calder grew up in Saskatoon and now lives in Winnipeg, where she teaches Canadian Literature and creative writing at the University of Manitoba.

Alison Calder's profile page

Daniel Heath Justice (Cherokee Nation) is Canada Research Chair in Indigenous Literature and Expressive Culture and Chair of the First Nations Studies Program at the University of British Columbia, unceded Musqueam territory. His previous publications include a study of Cherokee literature, Our Fire Survives the Storm: A Cherokee Literary History, and The Way of Thorn and Thunder series from Kegedonce Press (omnibus edition from the University of New Mexico Press). His most recent publications are Badger, part of the Animal Series from Reaktion Books (UK), and the co-edited Oxford Handbook of Indigenous American Literature. Current works include the literary manifesto, Why Indigenous Literature Matters (forthcoming from Wilfrid Laurier University Press), a study of other-than-human kinship in Indigenous literary expression, and a new dark fantasy trilogy.

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Adrian Stimson's profile page

Terrance Houle's profile page

Kateri Akiwenzie-Damm is a member of the Saugeen Ojibway Nation, Chippewas of Nawash Unceded First Nation, on the Saugeen Peninsula in Ontario. Kateri is an Assistant Professor, teaching Creative Writing, Indigenous Literatures and Oral Traditions in the English Department at the University of Toronto, Scarborough. She has taught creative writing and Indigenous literatures at the University of Manitoba, the Banff Centre's Aboriginal Arts Program, and the En'owkin International School of Writing in partnership with the University of Victoria. Her publications encompass poetry, fiction, non-fiction, radio plays, television and film, libretti, graphic novels, and spoken word. Her teaching and creative work is firmly decolonial, a practice of cultural resurgence, affirmation and survivance. She is a recipient of a REVEAL Indigenous Arts Award for writing, her 2015 book of short stories, The Stone Collection, was a finalist for the Sarton Literary Book Awards, and her collaborative recording A Constellation of Bones was a nominee for a 2008 Canadian Aboriginal Music Award. Kateri was the 2011-2012 Poet Laureate for Owen Sound and North Grey. She founded and coordinated the first Honouring Words: International Indigenous Authors Celebration Tour in 2003 and initiated and was a co-organizer for the first Indigenous Comics Symposium in 2021. She is the founder, publisher, and art director for Kegedonce Press. (Re)Generation: The Poetry of Kateri Akiwenzie-Damm, selected and edited by Dallas Hunt, was released in August 2021. She is currently completing work on a new collection of poetry and a collection of humourous short stories.

Kateri Akiwenzie-Damm's profile page

Richard Van Camp is a proud member of the Dogrib (Tlicho) Nation from Fort Smith, NWT.He is a graduate of the En'owkin International School of Writing, the University of Victoria's Creative Writing BFA Program, and the Master's Degree in Creative Writing at the University of British Columbia. He is an internationally renowned storyteller and best-selling author. His novel, The Lesser Blessed, is now a movie with First Generation Films and premiered in September of 2012 at the Toronto International Film Festival. He is the author of four collections of short stories, Angel Wing Splash Pattern, The Moon of Letting Go, Godless but Loyal to Heaven and Night Moves, as well as two children's books with Cree artist, George Littlechild: A Man Called Raven and What's the Most Beautiful Thing You Know About Horses?His first baby book, Welcome Song for Baby: A Lullaby for Newborns, was the official selection of the Books for BC Babies program and was given to every newborn baby in British Columbia in 2008. Richard followed this up with another board book: Nighty-Night: A Bedtime Song for Babies. His third book for babies, Little You, is now out with Orca Book Publishers. The amazing Julie Flett is the artist. Little You is published in Bush Cree, Dene and South Slavey, courtesy of the South Slave Divisional Board of Education. His new book for babies with Julie Flett is called "We Sang You Home" and it is gorgeous!All of Richard Van Camp's children's books are available in Braille for free, anywhere in the world, courtesy of the Provincial Resource Centre for the Visually Impaired (PRCVI) and Accessible Resource Centre-British Columbia (ARC-BC)Richard has six graphic novels and comic books out: his first comic book on deterring youth away from gangs, Path of the Warrior, is published with Cree artist, Steve Sanderson, through the Healthy Aboriginal Network. His second comic book on sexual health is Kiss Me Deadly, with Haida artist Chris Auchter. His four graphic novels are Three Feathers (published in Bush Cree, Dene, South Slavey and English, illustrated by Krystal Mateus, on restorative justice; The Eisner Award Nominated A Blanket of Butterflies, on the theme of peace making, illustrated by Scott Henderson, The Blue Raven, illustrated by Steve Sanderson on mental health, and Spirit, a suicide prevention comic book illustrated by Emily Brown (which is also published in Bush Cree, Dene, and South Slavey and English).

Richard Van Camp's profile page

Joanne Arnott (born 16 December 1960 in Winnipeg, Manitoba) is a Canadian Métis writer.Arnott's works are intimate with an activist slant, exploring the issues faced by a mixed-race girl and woman in poverty, the family, danger, love and childbirth. She writes about these topics from personal experience, as a Métis and a mother of six. She has conducted workshops across much of Canada, and in Australia, including a recent series at the Carnegie Centre, sponsored by SFU.She received the Gerald Lampert Award for her 1991 collection of poetry Wiles of Girlhood.Arnott lives in British Columbia with her family. She is a founding member of the Aboriginal Writers Collective West Coast, and The Aunties Collective. She has served on The Writers Union of Canada National Council (2009), The Writers Trust of Canada Authors Committee, and as jury member for the Governor General's Awards/Poetry (2011).

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Neal McLeod is half Cree (having grown up on the James Smith reserve in Saskatchewan) and half Swedish having had the fortunate opportunity to study abroad at the Swedish Art Academy at Umeå . Neal’s first book of poetry entitled, Songs to Kill a Wîhtikow, was nominated for several Saskatchewan book awards including book of the year in 2005 and book of year at the Anskohk McNally Aboriginal Literature Awards. In 2007, he also published Cree Narrative Memory, which was nominated for book of the year at the Anskohk McNally Aboriginal Literature Awards. In the fall of 2008, he published his second book of poetry entitled Gabriel’s Beach. He teaches Indigenous Studies at Trent University in Peterborough, Ontario.

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Gregory Scofield is one of Canada's leading Aboriginal writers whose five collections of poetry have earned him both a national and international audience. He is known for his unique and dynamic reading style that blends oral storytelling, song, spoken word and the Cree language. His maternal ancestry can be traced back to the fur trade and to the Metis community of Kinosota, Manitoba, which was established in 1828 by the Hudson's Bay Company. His paternal ancestry is Jewish, Polish and German that is reflective of the immigrant experience to Canada at the turn of the century. His poetry and memoir, Thunder Through My Veins (HarperCollins, 1999) is taught at numerous universities and colleges throughout Canada and the U.S., and his work has appeared in many anthologies. He was the subject of a feature length documentary, Singing Home The Bones: A Poet Becomes Himself (The Maystreet Group, 2007) that aired on CHUM TV, BRAVO!, APTN, and the Saskatchewan Television Network. He has served as Writer-in-Residence at the University of Manitoba and Memorial University of Newfoundland. His latest collection, kipocihkan: Poems New & Selected (Nightwood) and the re-publication of I Knew Two Metis Women, along with the companion CD (Gabriel Dumont Institute) will be released in spring 2009. As well, his third collection of poetry, Love Medicine and One Song will be re-released by Kegedonce Press in 2009. He currently lives in Maple Ridge, B.C.

Gregory Scofield's profile page

"A valuable contribution to Indigenous masculinity studies. Very few texts focus on Indigenous manhood and masculinities, and this book provides an opportunity to expand this area of study and to engage in conversations on Indigenous community and Native nation building."

Wicazo Sa Review

“Distills the acumen of the scholars, journalists, playwrights, authors, poets, mothers, fathers, and sons who sat with him and identified, and commiserated on, the paradigms of maleness and manliness.”

BC Studies

“A strong beginning to the work of critical studies of Indigenous masculinities.”

Transmotion

"McKegney interviews male and female educators, artists (including writers such Joseph Boyden, Lee Maracle and Tomson Highway), scholars, social workers, elders, and others who attest to the myriad conceptions of indigenous manhood that range from the affirmingly spiritual to the purposefully vulnerable. [...] Many a fascinating discussion about modern indigenous identities."

Native American and Indigenous Studies

“Masculindians is not a book about tragic masculinities. Rather, the contributors share compelling stories of beautiful and healthy masculinities disrupted by colonization. Their stories speak of resilience and resistance and resurgence.”

The Goose

"Masculindians is a collection of twenty-three conversations with Indigenous women and men from throughout North America and Oceania, Two-Spirit and straight people, as well as artists and scholars who talked about, among other things, Indigenous masculinity. The chapters are more than conversations. They are artifacts from which we can later draw meaning in order to reimagine Indigenous masculinity's pluralisms, possibilities, and potentials."

Native American and Indigenous Studies