The selected poems in Desire Never Leaves span Tim Lilburn’s career, demonstrating the evolution of a unique and careful thinker as he takes his place among the nation’s premier writers. This edition of his poetry untangles many of the strands running through his works, providing insight into a poetic world that is both spectacular and humbling.
The introduction by Alison Calder situates Lilburn’s writing in an alternate tradition of prairie poetry that relies less on the vernacular and more on philosophy and meditation. Examining Lilburn’s antecedents in Christian mysticism and the ascetic tradition, Calder stresses the paradoxical nature of Lilburn’s writing—the expression of loss through plenitude. The divine in the natural world is glimpsed in brief flashes; nevertheless, the poet, driven by love, continues his quest for what glitters in things.
Tim Lilburn’s afterword is an evocative meditation grounded in personal history. He speaks of how poetry, a craning quiet, allows one to hear what is alive in the world. He also describes how poetry is resolutely attached to both a historical moment and an individual subjectivity that is inevitably anchored in time. Lilburn’s poetry is both a religious undertaking and a political gesture that speaks to the urgency of situating ourselves where we live.

Tim Lilburn was born in Regina, Saskatchewan. He has published eight books of poetry, including To the River, Kill-site, and Orphic Politics. His work has received the Governor General’s Literary Award for Poetry for Kill-site and the Saskatchewan Book of the Year Award (for To the River), among other prizes. Lilburn has produced two essay collections, both concerned with poetics, eros, and politics, Living in the World as if It Were Home and Going Home, and edited two other collections on poetics, Poetry and Knowing and Thinking and Singing: Poetry and the Practice of Philosophy. He was a participant in the 2008 Pamirs Poetry Journey. Lilburn teaches at the University of Victoria.

Tim Lilburn's profile page

Alison Calder’s first poetry collection, Wolf Tree, won two Manitoba Book Awards and was a finalist for both the Gerald Lampert Award and the Pat Lowther Award for Canadian poetry. Her poetry has been published in journals and anthologies, most notably Breathing Fire:Canada’s New Poets and Exposed, and has twice circulated on Winnipeg city buses.She is the editor of Desire Never Leaves: The Poetry of Tim Lilburn (Wilfred Laurier University Press, 2007) and a critical edition of Frederick Philip Grove’s 1924 novel Settlers of the Marsh (Borealis, 2006), and the co-editor of History, Literature, and the Writing of the Canadian Prairies (University of Manitoba Press, 2005).Born in England, Alison Calder grew up in Saskatoon and now lives in Winnipeg, where she teaches Canadian Literature and creative writing at the University of Manitoba.

Alison Calder's profile page

Readers are bound to appreciate Lilburn's collection, not to mention the welcome inclusion of his afterword which reads like a biography, an essay and a meditation on the quiet power of poetry.

Darlene Shatford, Canadian Literature, Number 195, Winter 2007, 2008 May

Desire Never Leaves ... is an excellent explanatory introduction to Lilburn's craft, Catholicism, and Prairie mysticism, thanks in part to one of Lilburn's own essays that serves as a postface.

Georges Fetherling, Seven Oaks, May 2007, 2007 June

Lilburn stands in awe of, and has come as close as humanly possible to capturing, the magnitude and magnificence of creation.

John Cunningham, Arc Poetry Magazine, Volum 61, Winter 2009, 2009 January