"[Jerusalem] is a small miracle: concise, even-handed, highly particular." —The Guardian
Jerusalem: Chronicles from the Holy City is the acclaimed graphic memoirist Guy Delisle's strongest work yet, a thoughtful and moving travelogue about life in contemporary Jerusalem. Delisle expertly lays the groundwork for a cultural road map of the Holy City, utilizing the classic "stranger in a strange land" point of view that made his other books required reading for understanding what daily life is like in cities few are able to travel to. Jerusalem explores the complexities of a city that represents so much to so many. It eloquently examines the impact of conflict on the lives of people on both sides of the wall while drolly recounting the quotidian: checkpoints, traffic jams, and holidays.
When observing the Christian, Jewish, and Muslim populations that call Jerusalem home, Delisle's drawn line is both sensitive and fair, assuming nothing and drawing everything. A sixteen-page appendix to the paperback edition lets the reader behind the curtain, revealing intimate process sketches from Delisle's time in Jerusalem.
Jerusalem is a masterfully hewn travelogue; topping Best of 2012 lists from The Guardian, Paste, and the Montreal Gazette, it was the graphic novel of the year.

Guy Delisle's profile page

Helge Dascher has for 25 years translated texts with a dynamic relationship to images. A background in art history and literature has grounded her translation of over sixty graphic novels, many by artists who have broadened the medium's storytelling range. Her translations included acclaimed titles such as Julie Delporte's This Woman's Work (co-translated with Aleshia Jensen, Drawn and Quarterly, 2019), Sophie Bédard's Lonely Boys (co-translated with Robin Lang, Pow Pow Press, 2020) and Michel Rabagliati's "Paul" books (Drawn and Quarterly, Conundrum). She also translates exhibitions, digital stories, and films, most recently Theodor Ushev's The Physics of Sorrow (with Karen Houle, NFB, 2019). A Montrealer, she works from French and German to English.

Helge Dascher's profile page

The cultural and physical barriers among the Jewish, Muslim and Christian communities become the source of dark but gentle comedy: absurdity teetering on the edge of tragedy." - The New York Times

"The tone of [ Jerusalem ] is by turns gently humorous and dumbfounded. His drawing style . . . suits his brisk, snapshot approach." - Financial Times
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