A profound and personal exploration of the intersections of womanhood, femininity, and creativity
This Woman’s Work is a powerfully raw autobiographical work that asks vital questions about femininity and the assumptions we make about gender. Julie Delporte examines cultural artifacts and sometimes traumatic memories through the lens of the woman she is today—a feminist who understands the reality of the women around her, how experiencing rape culture and sexual abuse is almost synonymous with being a woman, and the struggle of reconciling one’s feminist beliefs with the desire to be loved. She sometimes resents being a woman and would rather be anything but.
Told through beautifully evocative colored pencil drawings and sparse but compelling prose, This Woman’s Work documents Delporte’s memories and cultural consumption through journal-like entries that represent her struggles with femininity and womanhood. She structures these moments in a nonlinear fashion, presenting each one as a snapshot of a place and time—trips abroad, the moment you realize a relationship is over, and a traumatizing childhood event of sexual abuse that haunts her to this day. While This Woman’s Work is deeply personal, it is also a reflection of the conversations that women have with themselves when trying to carve out their feminist identity. Delporte’s search for answers in the turmoil created by gender assumptions is profoundly resonant in the era of #MeToo.

Julie Delporte was born in Saint-Malo, France, in 1983. She presently resides in Montreal, Canada, and Portrait of a Body is her fourth graphic novel after This Woman’s Work (2019), Everywhere Antennas (2015), and Journal (2014). She holds a degree in cinema studies and was a fellow at the Center for Cartoon Studies in White River Junction, Vermont. When she’s not working on comics, she makes ceramics, writes poetry and essays, and works on risograph and silkscreen projects. She loves animals, plants, and sometimes humans.

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Helge Dascher has for 25 years translated texts with a dynamic relationship to images. A background in art history and literature has grounded her translation of over sixty graphic novels, many by artists who have broadened the medium's storytelling range. Her translations included acclaimed titles such as Julie Delporte's This Woman's Work (co-translated with Aleshia Jensen, Drawn and Quarterly, 2019), Sophie Bédard's Lonely Boys (co-translated with Robin Lang, Pow Pow Press, 2020) and Michel Rabagliati's "Paul" books (Drawn and Quarterly, Conundrum). She also translates exhibitions, digital stories, and films, most recently Theodor Ushev's The Physics of Sorrow (with Karen Houle, NFB, 2019). A Montrealer, she works from French and German to English.

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ALESHIA JENSEN is a French-to-English literary translator and former bookseller living in Tio'tia:ke/Montréal. Her translations include Explosions by Mathieu Poulin, a finalist for the 2018 Governor General's Literary Award for Translation; Prague by Maude Veilleux, co-translated with Aimee Wall; as well as numerous graphic novels, including work by Julie Delporte, Catherine Ocelot, Mirion Malle, and Pascal Girard.

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