What do we know of masculinities in non-patriarchal societies? Indigenous peoples of the Americas and beyond come from traditions of gender equity, complementarity, and the sacred feminine, concepts that were unimaginable and shocking to Euro-western peoples at contact. "Indigenous Men and Masculinities", edited by Kim Anderson and Robert Alexander Innes, brings together prominent thinkers to explore the meaning of masculinities and being a man within such traditions, further examining the colonial disruption and imposition of patriarchy on Indigenous men. Building on Indigenous knowledge systems, Indigenous feminism, and queer theory, the sixteen essays by scholars and activists from Canada, the U.S., and New Zealand open pathways for the nascent field of Indigenous masculinities. The authors explore subjects of representation through art and literature, as well as Indigenous masculinities in sport, prisons, and gangs. "Indigenous Men and Masculinities" highlights voices of Indigenous male writers, traditional knowledge keepers, ex-gang members, war veterans, fathers, youth, two-spirited people, and Indigenous men working to end violence against women. It offers a refreshing vision toward equitable societies that celebrate healthy and diverse masculinities.

Robert Alexander Innes is a member of Cowessess First Nation and is an Associate Professor in the Department of Indigenous Studies at the University of Saskatchewan. He is the author of Elder Brother and the Law of the People and co-editor, with Kim Anderson, of Indigenous Men and Masculinities.

 

Robert Alexander Innes' profile page

Kim Anderson is an Associate Professor in the Department of Indigenous Studies at Wilfrid Laurier University. She has published over thirty book chapters and journal articles and is also the principal investigator for two SSHRC research projects: Bidwewidam Indigenous Masculinities (2011-2014) and Indigenous Knowledge Translation in Urban Aboriginal Settings (2014-2017). Anderson is a long-standing advocate for Indigenous women and families and is regularly involved in community-based research and teaching in this area.

Kim Anderson's profile page

Warren Cariou was born in Meadow Lake, Saskatchewan, into a family of mixed Métis and European heritage. He has written many articles about Canadian Aboriginal literature, especially on Métis culture and storytelling, and he has published two books: a collection of novellas, The Exalted Company of Roadside Martyrs (1999) and a memoir/cultural history, Lake of the Prairies: A Story of Belonging (2002). He has also co-directed and co-produced two films about Aboriginal people in western Canada’s oil sands region: Overburden and Land of Oil and Water. Cariou has won and been nominated for numerous awards. His most acclaimed work to date, Lake of the Prairies, won the Drainie-Taylor Biography Prize in 2002 and was shortlisted for the Charles Taylor Prize for literary nonfiction in 2004. His films have screened at many national and international film festivals, including Hot Docs, ImagineNative, and the San Francisco American Indian Film Festival. Cariou has also served as editor for several books, including an anthology of Aboriginal literature, W’daub Awae: Speaking True (2010), and he is the fiction co-editor of Prairie Fire. Cariou is a Canada Research Chair in Narrative, Community and Indigenous Cultures at the University of Manitoba, where he also directs the Centre for Creative Writing and Oral Culture.

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Daniel Heath Justice (Cherokee Nation) is Canada Research Chair in Indigenous Literature and Expressive Culture and Chair of the First Nations Studies Program at the University of British Columbia, unceded Musqueam territory. His previous publications include a study of Cherokee literature, Our Fire Survives the Storm: A Cherokee Literary History, and The Way of Thorn and Thunder series from Kegedonce Press (omnibus edition from the University of New Mexico Press). His most recent publications are Badger, part of the Animal Series from Reaktion Books (UK), and the co-edited Oxford Handbook of Indigenous American Literature. Current works include the literary manifesto, Why Indigenous Literature Matters (forthcoming from Wilfrid Laurier University Press), a study of other-than-human kinship in Indigenous literary expression, and a new dark fantasy trilogy.

Daniel Heath Justice's profile page

Gregory Scofield is one of Canada's leading Aboriginal writers whose five collections of poetry have earned him both a national and international audience. He is known for his unique and dynamic reading style that blends oral storytelling, song, spoken word and the Cree language. His maternal ancestry can be traced back to the fur trade and to the Metis community of Kinosota, Manitoba, which was established in 1828 by the Hudson's Bay Company. His paternal ancestry is Jewish, Polish and German that is reflective of the immigrant experience to Canada at the turn of the century. His poetry and memoir, Thunder Through My Veins (HarperCollins, 1999) is taught at numerous universities and colleges throughout Canada and the U.S., and his work has appeared in many anthologies. He was the subject of a feature length documentary, Singing Home The Bones: A Poet Becomes Himself (The Maystreet Group, 2007) that aired on CHUM TV, BRAVO!, APTN, and the Saskatchewan Television Network. He has served as Writer-in-Residence at the University of Manitoba and Memorial University of Newfoundland. His latest collection, kipocihkan: Poems New & Selected (Nightwood) and the re-publication of I Knew Two Metis Women, along with the companion CD (Gabriel Dumont Institute) will be released in spring 2009. As well, his third collection of poetry, Love Medicine and One Song will be re-released by Kegedonce Press in 2009. He currently lives in Maple Ridge, B.C.

Gregory Scofield's profile page

Niigaanwewidam James Sinclair is Anishinaabe, originally from St. Peter's (Little Peguis) Indian Settlement. He is an assistant professor in the departments of English and Native Studies at the University of Manitoba. His essays, articles, and short stories have appeared in books and journals throughout Turtle Island. In 2009, he co-edited (with Renate Eigenbrod) a double issue of The Canadian Journal of Native Studies (#29; 1 & 2) and was a featured author in The Exile Book of Native Canadian Fiction and Drama, edited by Daniel David Moses (2011). His upcoming book Manitowapow: Aboriginal Writings from the Land of Water (co-edited with Warren Cariou) is an anthology of Manitoba Aboriginal writing from the past three centuries (Portage & Main Press). Another, Centering Anishinaabeg Studies (co-edited with Jill Doerfler and Heidi Kiiwetinepinesiik Stark), is a collection of critical and creative works on Anishinaabeg story (Michigan State University Press). A former high-school drama and language arts teacher, Niigaan has authored a number of teachers' guides for Portage & Main Press. He currently lives in Winnipeg, where he is completing his PhD in Anishinaabeg literatures and traditional expression.

Niigaanwewidam James Sinclair's profile page

Sam McKegney is a settler scholar of Indigenous literatures and is Professor and Head of the Department of English at Queen’s University in the territory of the Haudenosaunee and Anishinaabe Peoples. He has published two books—Masculindians: Conversations about Indigenous Manhood and Magic Weapons: Aboriginal Writers Remaking Community after Residential School—and articles on such topics as masculinity, environmental kinship, prison writing, and mythologies of hockey.

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Richard Van Camp is a proud member of the Dogrib (Tlicho) Nation from Fort Smith, NWT.He is a graduate of the En'owkin International School of Writing, the University of Victoria's Creative Writing BFA Program, and the Master's Degree in Creative Writing at the University of British Columbia. He is an internationally renowned storyteller and best-selling author. His novel, The Lesser Blessed, is now a movie with First Generation Films and premiered in September of 2012 at the Toronto International Film Festival. He is the author of four collections of short stories, Angel Wing Splash Pattern, The Moon of Letting Go, Godless but Loyal to Heaven and Night Moves, as well as two children's books with Cree artist, George Littlechild: A Man Called Raven and What's the Most Beautiful Thing You Know About Horses?His first baby book, Welcome Song for Baby: A Lullaby for Newborns, was the official selection of the Books for BC Babies program and was given to every newborn baby in British Columbia in 2008. Richard followed this up with another board book: Nighty-Night: A Bedtime Song for Babies. His third book for babies, Little You, is now out with Orca Book Publishers. The amazing Julie Flett is the artist. Little You is published in Bush Cree, Dene and South Slavey, courtesy of the South Slave Divisional Board of Education. His new book for babies with Julie Flett is called "We Sang You Home" and it is gorgeous!All of Richard Van Camp's children's books are available in Braille for free, anywhere in the world, courtesy of the Provincial Resource Centre for the Visually Impaired (PRCVI) and Accessible Resource Centre-British Columbia (ARC-BC)Richard has six graphic novels and comic books out: his first comic book on deterring youth away from gangs, Path of the Warrior, is published with Cree artist, Steve Sanderson, through the Healthy Aboriginal Network. His second comic book on sexual health is Kiss Me Deadly, with Haida artist Chris Auchter. His four graphic novels are Three Feathers (published in Bush Cree, Dene, South Slavey and English, illustrated by Krystal Mateus, on restorative justice; The Eisner Award Nominated A Blanket of Butterflies, on the theme of peace making, illustrated by Scott Henderson, The Blue Raven, illustrated by Steve Sanderson on mental health, and Spirit, a suicide prevention comic book illustrated by Emily Brown (which is also published in Bush Cree, Dene, and South Slavey and English).

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Robert Henry is Métis from Prince Albert, Saskatchewan, assistant professor at the University of Saskatchewan in the Department of Indigenous Studies, and co-director of the nātawihowin and mamawiikikayaahk Research Networks. 

 

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“We can learn a great deal about the workings of gender and the intersections with colonialism from the examples assembled by Innes and Anderson, and Indigenous Men and Masculinities will extend conversations thoughtfully about Indigenous manhood in the twenty-first century.”

BC Studies

“A strong beginning to the work of critical studies of Indigenous masculinities.”

Transmotion

“The approaches and perspectives that Innes and Anderson have collected here are valuable for scholars, students, and teachers across the humanities and social sciences as they continue the important journey along the road to decolonization.”

The Canadian Journal of Native Studies

“Necessary reading for anyone doing work on Indigenous masculinities. It will be a touchstone in this area for some time. “

BC Studies