Most people hope for happy endings. For Warren, a gay divorcee, that means getting his stuff back; most importantly, his cherished John Denver CD. And then there's Warren's assortment of friends: Susan, a Percocet-fuelled divorce lawyer whose daughters are giving her a hard time; Tarot-reading Aaron, who is dating Susan and who secretly used to be known as Erin; Mike, an alcoholic who sometimes sees his son on Saturdays; and Kevin, Mike's kid who has an imaginary friend. Observing and directing all of their lives is the human will—or Will, as he prefers to be called—who doesn't quite believe in those happy endings. This Is What Happens Next is an intensely relatable, multi-character story that explores the anguish of addiction and divorce as it delves into the fundamentals of human desire and asks the philosophical question, "What happens next?"

Daniel MacIvor was born in Cape Breton, Nova Scotia. He is the author and director of numerous award-winning theatre productions including See Bob Run, Wild Abandon, 2-2-Tango, This Is A Play, The Soldier Dreams, You Are Here, How It Works, A Beautiful View, Communion, and Bingo! From 1987 to 2007 with Sherrie Johnson he ran da da kamera, a respected international touring company that brought his work to Australia, the UK and extensively throughout the US and Canada. With long time collaborator Daniel Brooks, he created the solo performances House, Here Lies Henry, Monster, Cul-de-sac and This Is What Happens Next. Daniel won a GLAAD Award and a Village Voice Obie Award in 2002 for his play In On It, which was presented at PS 122 in New York. In 2006, Daniel received the Governor General’s Literary Award for Drama for his collection of plays I Still Love You. In 2008, he was awarded the prestigious Siminovitch Prize in Theatre.

Daniel MacIvor's profile page

"Like an expert juggler, [MacIvor] never drops a narrative ball." —Glenn Sumi, NOW Magazine

"With This Is What Happens Next, MacIvor reminds us why he is a master storyteller." —Wayne Leung, Mooney on Theatre

"…filled with false starts and even falser endings that will keep you guessing till the last second." —Richard Ouzounian, Toronto Star