Co-founder of Toronto’s groundbreaking theatre company da da kamera, Daniel MacIvor is Canada’s most influential post-modern playwright.
In his latest collaboration with director Daniel Brooks, MacIvor plays the role of Leonard, who narrates the events leading up to his murder while trying to understand them himself. Through the course of the play, we peer behind the curtains of his neighbourhood as MacIvor transforms into the multiple characters who bear witness to Leonard’s life and death. Yet each of their stories, while internally consistent, tells a subtly different version of what happened, progressively colouring and transforming our understanding of the characters as we think we had come to know them. In a headlong rush we understand that everyone’s story inevitably dead-ends at precisely the bottom of the preconceptions they brought to its telling.
Punctuated by brilliant lighting and a mood-setting soundscape, this dazzling one-man show is storytelling of the highest order.

Daniel MacIvor was born in Cape Breton, Nova Scotia. He is the author and director of numerous award-winning theatre productions including See Bob Run, Wild Abandon, 2-2-Tango, This Is A Play, The Soldier Dreams, You Are Here, How It Works, A Beautiful View, Communion, and Bingo! From 1987 to 2007 with Sherrie Johnson he ran da da kamera, a respected international touring company that brought his work to Australia, the UK and extensively throughout the US and Canada. With long time collaborator Daniel Brooks, he created the solo performances House, Here Lies Henry, Monster, Cul-de-sac and This Is What Happens Next. Daniel won a GLAAD Award and a Village Voice Obie Award in 2002 for his play In On It, which was presented at PS 122 in New York. In 2006, Daniel received the Governor General’s Literary Award for Drama for his collection of plays I Still Love You. In 2008, he was awarded the prestigious Siminovitch Prize in Theatre.

Daniel MacIvor's profile page

Daniel Brooks has worked as a director writer, actor, producer, and teacher. He is a mainstay of this countryâ??s theatre, working with a network of Ontario-based writers, playwrights, and directors who virtually define the current scene (Guillermo Verdecchia, Daniel MacIvor, and John Mighton among them). He has been co-director of the Augusta Company and da da kamera, and playwright-in-residence at Tarragon Theatre. He is currently Artistic Director of Necessary Angel Theatre Company.

Among his works as a writer are The Return of Pokey Jones (Poor Alex Theatre, 1985), The Noam Chomsky Lectures (with Verdecchia, Great Canadian Theatre Company, 1992), The Lorca Play (with MacIvor, Theatre Centre, 1992), Here Lies Henry (with MacIvor, Buddies in Bad Times, 1996), and Insomnia (with Verdecchia, Theatre Centre, 1997).

He has also directed several works, notably MacIvorâ??s House (1992), Mightonâ??s Possible Worlds (1998), Faust (Tarragon Theatre, 1999), Soulpepperâ??s production of Becketâ??s Endgame (1999), and Mightonâ??s Half Life.

Daniel has won several awards, including the Chalmers (for Noam Chomsky, Here Lies Henry, House), the Dora Mavor Moore Award three times for directing, the Edinburgh Fringe First Award (Here Lies Henry); and has been nominated for the Governor Generalâ??s Literary Award (Noam Chomsky). In October 2000, he won the Capital Critics Circle Award for his direction of Possible Worlds. In October 2001, he received the first Elinore and Lou Siminovitch Prize in Theatre.

Daniel has also worked in film, notably with Bruce McDonald (whose film Highway 61 was inspired by Pokey.)

His highly innovative work has travelled across Canada and around the world. He is married to Jennifer Ross. They have two daughters, and live in Toronto.

Daniel Brooks' profile page

• Short-listed, Governor General’s Literary Award for Drama