Literary Pluralities is a collection of essays on the connections between literature and society in Canada, focusing on the topics of race, ethnicity, language, and cultures.

The essays explore a nexus of related issues, including the dynamics between race, ethnicity, class, gender and generation; Canadian multiculturalism, and its meaning within Aboriginal and Quebec communities; the politics of language; the new field of life writing; and international dimensions of the debates. Together, they present a valuable picture of Canadian and Quebecois cultural and literary criticism at the century’s end.

Contributors include: Himani Bannerji, George Elliott Clarke, Kateri Akiwenzie-Damm, Hiromi Goto, Sneja Gunew, Jean Jonaissant, Smaro Kamboureli, Eva Karpinski, Janice Kulyk Keefer, Myrna Kostash, Lucie Lequin, Nadine Ltaif, Arun Mukherjee, Enoch Padolsky, Nourbese Philip, Joseph Pivato, Armand G. Ruffo, Tamara Palmer Seiler, Drew Hayden Taylor, Aritha van Herk, Maïr Verthuy, and Christl Verduyn.
This is a co-publication of Broadview Press and the Journal of Canadian Studies.

Christl Verduyn is the author, editor, or co-editor of over a dozen volumes in the areas of Canadian and Québécois literatures, women’s writing and criticism, “multicultural” and life writing, and Canadian Studies. Before joining the faculty at Mount Allison University, where she is now Professor Emerita of English and Canadian Studies, Dr. Verduyn taught at Wilfrid Laurier University, where she chaired the Canadian Studies Program, and at Trent University, where she was Chair of Women’s Studies (1987-90) and Chair of Canadian Studies (1993-99). A past editor of the Journal of Canadian Studies, recipient of the Governor General’s International Award for Canadian Studies and of the Order of Canada (CM), she is a Fellow of the Royal Society of Canada (FRSC) and a 3M National Teaching Fellow.

Christl Verduyn's profile page

“Offers many informed and impassioned insights into the cultural construction of difference, the political and social realities of “multiculturalism,” and the ideologically loaded tapestry of contemporary Canadian Culture and literature.” — Books in Canada