As a historian of the Renaissance and the rise of Christianity, Burckhardt was concerned with periods of social, political, and cultural transformation. Writing in the aftermath of the 1848 Revolutions and in the long shadow cast by the French Revolution of 1789, he observed the rise of industrial capitalism and mass politics with trepidation. He especially lamented the fate of the individual, whose creativity had shaped the glories of the Renaissance and ancient Greece but who was increasingly domesticated and commodified in modern society. Unlike conventional accounts, which characterize him as an apolitical aesthete, Hinde shows us that Burckhardt was as a thinker of profound importance whose conservative anti-modernism ranks him with his colleague Friedrich Nietzsche.

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"A new, important analysis of the significance of Jacob Burckhardt's writings, including a re-evaluation of his up-to-now underestimated writing on art history ... Hinde offers both new interpretations of specific issues that illuminate nineteenth-century history and a new synthetic view of Burckhardt and his role in the development of cultural history. This is quite an accomplishment." Harold Mah, Department of History, Queen's University "A lucid, accessible, and most engaging presentation." Donald A. Bailey, Department of History, University of Winnipeg

"A new, important analysis of the significance of Jacob Burckhardt's writings, including a re-evaluation of his up-to-now underestimated writing on art history ... Hinde offers both new interpretations of specific issues that illuminate nineteenth-century history and a new synthetic view of Burckhardt and his role in the development of cultural history. This is quite an accomplishment." Harold Mah, Department of History, Queen's University
"A lucid, accessible, and most engaging presentation." Donald A. Bailey, Department of History, University of Winnipeg