In 1995, Peter Johnson went looking for a rare set of petroglyphs located on the outer coast of Vancouver Island near an abandoned whaling village. Encouraged by archival research that yielded court records, 90-year-old correspondence and a tantalizing 1926 newspaper article, Peter sought to tie these glyphs to the 1869 wreck of the trading barque John Bright and the bizarre colonial trial that followed. He found more questions than answers. Why, for example, were two Nuu-chah-nulth men so readily hung from a gallows erected in front of their village at Hesquiat? And how did this event relate to the rock carvings that Peter knew existed in a cove many miles south, along the life-saving West Coast Trail by the Graveyard of the Pacific?

This story explores the significance of particular petroglyphs, colonial injustice and the European trading mentality on the west coast at the time of contact. Peter interweaves a personal journal with historical narrative in order to produce a lively account of the relationship between our coastal history and a little-known Aboriginal art form.

Peter Johnson has taught history, English, and creative writing in high schools and colleges in Canada for over thirty-five years. He has written several books on BC maritime history, including Glyphs and Gallows: The Rock Art of Clo-oose and the Wreck of the John Bright; Voyages of Hope: The Saga of the Bride-Ships; Quarantined: Life and Death at William Head Station, 1872–1959; and, with John Walls, To the Lighthouse: An Explorer’s Guide to the Island Lighthouses of Southwestern BC. He has also written and directed a documentary film on Lake Winnipeg, which was shown on CBC television, and published interpretive articles on Dostoevsky’s The Brothers Karamazov and George Orwell’s 1984. He lives in Vancouver, British Columbia.

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