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History Post-confederation (1867-)

Art and Politics

The History of the National Arts Centre

by (author) Sarah Jennings

Publisher
Dundurn Press
Initial publish date
Apr 2009
Category
Post-Confederation (1867-), General, General
  • Hardback

    ISBN
    9781550028867
    Publish Date
    Apr 2009
    List Price
    $50.00
  • eBook

    ISBN
    9781770706002
    Publish Date
    Apr 2009
    List Price
    $11.99
  • eBook

    ISBN
    9781770703827
    Publish Date
    Apr 2009
    List Price
    $50.00

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Description

Short-listed for the Ottawa Book Awards, 2010
This is the story of the creation and first four decades of one of Canada’s pre-eminent cultural organizations. While it documents the history of Canada’s National Arts Centre in Ottawa, it also tells the story of the arts in Canada from the 1960s to 2006. The story breaks down into three parts: the years of creation and early growth, fuelled by the talent and resources generated by Canada’s 1967 Centennial celebration; the turbulent middle years, marked by a dearth of funds and political disinterest; and finally the "renaissance," when the decision is made to restore and recast the organization to provide continuing benefit to the performing arts in Canada’s capital and the country at large.
Written in a documentary style, moving from episode to episode, the story is enriched by the personal memories of those who participated in it, including the leading artists, managers, officials, and politicians who were involved.

About the author

Sarah Jennings is a journalist, commentator, and author. Her work has been featured on CBC and BBC, and in the Globe and Mail, the National and the Financial Post, and the Wall Street Journal. She was a lecturer at Carleton University’s School of Journalism for twelve years. She lives in Ottawa.

Sarah Jennings' profile page

Awards

  • Short-listed, Ottawa Book Awards

Editorial Reviews

"... absorbing narrative of the fight to create the NAC ... Jennings' NAC story is a remarkable achievement of narrative about plotting, skullduggery and characters that could easily have just been a conventional institutional history."

Globe & Mail, The