Wayworn Wooden Floors
- Publisher
- Porcupine's Quill
- Initial publish date
- Jun 2012
- Category
- Canadian, General
-
Paperback / softback
- ISBN
- 9780889843516
- Publish Date
- Jun 2012
- List Price
- $16.95
Classroom Resources
Where to buy it
Description
Mark Lavorato's debut poetry collection, Wayworn Wooden Floors, is a striking piece of work, informed by an acute observer tuned to the everyday. These frank, thoughtful poems evoke both the tragedy and the comedy endemic to daily existence. Lavorato's poems are penned in accessible, unpretentious verse, which is as clear as it is varied in form, tone, and vantage.
About the author
Mark Lavorato is a musician, photographer, and professional nomad. His freelance work has been published in over twenty-five magazines including Ascent, Orange Room Review, and Poetry Canada. Mark is also the author of a collection of poetry called Wayworn Wooden Floors (2012), and his first novel, Veracity (2007) is available on his website at marklavorato.com. Mark currently resides in Montreal, but his wandering habits may soon take him elsewhere.
Awards
- Short-listed, Raymond Souster Award
Excerpt: Wayworn Wooden Floors (by (author) Mark Lavorato)
A Handful of Seeds
My father teared at movies.
His hobby, though,
was taking life.
He told me once, excitedly,
convincing me to try it,
having gently pulled me into a corner
where no one could hear,
that it wasn't the hunt,
or the challenge, or the meat.
It was the killing.
To take a life from this world
just because you could.
He broke his leg one September,
so couldn't scour the hills
for savage creatures.
Instead, confounded,
he whittled a branch atthe edge of the forest,
his long cast pointing at the trees.
The autumn wind
fluttered through the clinging leaves
as they slowly
lost
grip.
And gradually, tenderly,
conversely,
he befriended the birds.
He sat for days
with a handful of seeds,
waiting.
And in time, though skittish with caution,
they came. First to the table beside him,
which was only a muffled drum roll away
from the safety of the branches,
and then, edging forward with tiny hops,
eyeing his cupped hand,
suddenly crouching, ready to fly
at the subtlest of movement.
Light feathered bodies
dainty with hollow bones,
hovering like spectators in a gallery,
wrists clasped behind backs,
scrutinizing this study of stillness,
of patience, of silence;
their shining black eyes
solemnly judging.
My father,
like the graveyard statue of a saint,
grinning at birds,
in sunlight as crisp as stone.
Later, his leg having healed,
he plucked his rifle from the corner again,
eager to tame the wild
that had come unleashed unto the world
in his absence.
Still, when I think of him,
it is this image that rises first.
A monument, honouring what he was,
but couldn't be.
Mouse
(From 'Five Perspectives of a Church')
With her second litter of the year nursing
it was the teeming hunger that led her
too far astray from her usual rounds
Which is where she found it
block of endlessly delicious poison
filling her cheeks to a stretch
She didn't realize the mistake as much
as she did the drunkenness, the
wobbling nave she found herself under
for the very first time, usually
keeping to the dowdy edges of lint balls
and dust, skirting the hardwood trim
in only the deepest candle flicker of night
But now there seemed to be stained-glass
light everywhere above, a scraggly hunch of fur
breathing faster than a panicked pulse
swimmingly lost in the holy wooden open
Her burgundy blood thinning to water
she feels herself spreading, blurring, dividing, as if
beside herself, there were another, equal
presence there, easing her gently to her side
How to Make a Cake from Scratch
First you will need to take out your recipe,
as well as every recipe you've ever been given
and burn them. It is critical you disregard
anything anyone has ever told you about making
cake. A jerry can of gasoline and match facilitate.
The ingredients are complex. They will change
when you wish they would not. Avoid gathering
all your favourite tastes and textures. If you do so
the overall flavour will be bland and lack colour.
A zest of lemon in some form or another is best.
Your oven will need stoking, so you must leave
the comfort of your home, and go to the place that you
have been advised never to go. It is a place where the wood
is hard, the soil precarious, the air volatile. Go there.
Stand thin at its centre. Now close your eyes. And begin.
Editorial Reviews
'His poetry is his own, and clearly understandable. What you read is what you get, and the reverse is equally true. Lavorato writes with an eye to the last line of a poem, and that line is loaded with irony.'
Prairie Fire Review of Books
?From Oaxaca City to the streets of Montreal to an abandoned farm where “The sound of the wind is defined / only by what it blows through?, these poems are less postcards than personal memories mined for greater, universal truths.?
The Montreal Review of Books
?Wayworn Wooden Floors is a varied first collection of many styles and themes ranging from terse lyrical imagery to verbose prosaic description. While his voice is consistent and strong, the styles are wide ranging and vigorous.?
The Chronicle Herald
?Wayworn Wooden Floors is insightful and much recommended addition to many a modern poetry collection.?
Wisconsin Bookwatch
?Throughout [Wayworn Wooden Floors], Lavorato plays with a variety of forms, giving readers an opportunity to be active as well as passive recipients of his words. We are never complacent and he is not predictable.?
Poetry Quebec
?[Mark Lavorato's] powers of description and his obvious facility with words serve him well ... from a “desert of saturate light? (?Swallow?) to the “Sun dangling bald from an unseen wire, gestapo-bulb sway? (?Ninth Street North?).?
Eyewear