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History Post-confederation (1867-)

This Is My Own

Letters to Wes and Other Writings on Japanese Canadians, 1941-1948

by (author) Muriel Kitagawa

edited by Roy Miki

Publisher
Talonbooks
Initial publish date
Jan 1985
Category
Post-Confederation (1867-), Human Rights, Letters
  • Hardback

    ISBN
    9780889222311
    Publish Date
    Jun 1985
    List Price
    $24.95
  • Paperback / softback

    ISBN
    9780889222304
    Publish Date
    Jan 1985
    List Price
    $24.95

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Description

This Is My Own: Letters to Wes and Other Writings on Japanese Canadians, 1941–1948 is a collection of letters written by Muriel Kitagawa during this period, as well as statements, essays and manuscripts which arose from Kitagawa’s commitment to write about the injustices of the government’s policies and to educate the Canadian public on the history and perceptions of Japanese Canadians.

About the authors

Muriel Kitagawa
Tsukiye Muriel Kitagawa was senior editor for The New Age, the first newspaper to express the Nisei (second-generation Japanese Canadian) perspective and provide an outlet for that generation’s expressive thought and literary writing. In 1938 she began writing for The New Canadian, where she was a regular contributor under several pen names. With four young children, including twins born right in the middle of the uprooting of the entire B.C. Japanese Canadian community, Muriel and her family moved to Toronto to join her brother Wesley Fujiwara, who was attending university there in June of 1942.

Roy Miki
Roy Miki is a writer, poet, critic and professor emeritus at Simon Fraser University. He has taught and written about the work of bpNichol for many years and was the editor of Pacific Windows: Collected Poems of Roy K. Kiyooka, which won the 1997 Poetry Award from the Association of Asian American Studies. His major bibliographic study, A Record of Writing: An Annotated and Illustrated Bibliography of George Bowering, won the Gabriel Roy award from the Association for Canadian and Quebec Literatures as the best book on Canadian Literature for 1991. Miki lives in Vancouver. Miki is also the editor of This Is My Own: Letters to Wes and Other Writings on Japanese Canadians (1985), Tracing the Paths: Reading‚ Writing The Martyrology (1988), Meanwhile: The Critical Writings of bpNichol (2001) and Redress: Inside the Japanese Canadian Call for Justice (2004), as well as co-editor with Cassandra Kobayashi of Justice in Our Time: The Japanese Canadian Redress Settlement (1991).

Muriel Kitagawa's profile page

Roy Miki
Roy Miki is a writer, poet, and critic who has taught and written about the work of bpNichol for many years. He was the editor of Pacific Windows: Collected Poems of Roy K. Kiyooka which won the 1997 Poetry Award from the Association of Asian American Studies. His major bibliographic study, A Record of Writing: An Annotated and Illustrated Bibliography of George Bowering, won the Gabriel Roy award from the Association for Canadian and Quebec Literatures as the best book on Canadian Literature for 1991. Miki is also the editor of This Is My Own: Letters to Wes and Other Writings on Japanese Canadians (1985); Tracing the Paths: Reading‚ Writing The Martyrology (1988); co-editor with Cassandra Kobayashi of Justice in Our Time: The Japanese Canadian Redress Settlement, and Meanwhile: The Critical Writings of bpNichol.

Cassandra Kobayashi
Cassandra Kobayashi helped shape the grass-roots community movement in Vancouver to seek redress for the forced removal, internment, and abrogation of the rights of Canadians of Japanese ancestry. She served on the national Redress Committee that negotiated the historic 1988 settlement with the Government of Canada. The struggle for redress is documented in her book, Justice in Our Time: The Japanese Canadian Redress Settlement, co-authored with Roy Miki.

Roy Miki's profile page

Awards

  • Short-listed, Hubert Evans Non-Fiction Prize (BC Book Prizes)

Editorial Reviews

“This collection is skillfully woven together.”
Amerasia Review

“The publication of This Is My Own means that [Kitagawa’s] passionate loyalty, her rage, haven’t been left to moulder in the grave. What a relief that is. What a cause for celebration.”
— Joy Kogawa

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