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published: Jun 2020
ISBN:9781459828179
publisher: Orca Book Publishers

The Phone Booth in Mr. Hirota's Garden

by Heather Smith, read by Kelly Nakatsuka

tagged: non-classifiable, asia, emotions & feelings
0 of 5
0 ratings
rated!
rated!
list price: $4.99
edition:Audiobook
also available: Hardcover eBook
published: Jun 2020
ISBN:9781459828179
publisher: Orca Book Publishers
Description

? “Smith spins a quietly moving narrative...Wada’s large-scale woodblock style illustrations are a perfect complement to the story’s restrained text...The graceful way in which this book handles a sensitive and serious subject makes it a first purchase."—School Library Journal
When the tsunami destroyed Makio's village, Makio lost his father . . . and his voice. The entire village is silenced by grief, and the young child's anger at the ocean grows. Then one day his neighbor, Mr. Hirota, begins a mysterious project—building a phone booth in his garden. At first Makio is puzzled; the phone isn't connected to anything. It just sits there, unable to ring. But as more and more villagers are drawn to the phone booth, its purpose becomes clear to Makio: the disconnected phone is connecting people to their lost loved ones. Makio calls to the sea to return what it has taken from him and ultimately finds his voice and solace in a phone that carries words on the wind.
The Phone Booth in Mr. Hirota's Garden is inspired by the true story of the wind phone in Otsuchi, Japan, which was created by artist Itaru Sasaki. He built the phone booth so he could speak to his cousin who had passed, saying, "My thoughts couldn't be relayed over a regular phone line, I wanted them to be carried on the wind." The Tohoku earthquake and tsunami in 2011 destroyed the town of Otsuchi, claiming 10 percent of the population. Residents of Otsuchi and pilgrims from other affected communities have been traveling to the wind phone since the tsunami.

About the Authors

Heather Smith

Originally from Newfoundland, Heather Smith now lives in Waterloo, Ontario, with her family. Her Newfoundland roots inspire much of her writing. Her middle-grade novel Ebb and Flow was short-listed for the Governor General's Literary Award, and her YA novel The Agony of Bun O'Keefe won the Ruth and Sylvia Schwartz Children's Book Award and was short-listed for the Amy Mathers Teen Book Award and the Geoffrey Bilson Award for Historical Fiction for Young People.
Author profile page >

Kelly Nakatsuka

Originally from Newfoundland, Heather Smith now lives in Waterloo, Ontario, with her family. Her Newfoundland roots inspire much of her writing. Her middle-grade novel Ebb and Flow was short-listed for the Governor General's Literary Award, and her YA novel The Agony of Bun O'Keefe won the Ruth and Sylvia Schwartz Children's Book Award and was short-listed for the Amy Mathers Teen Book Award and the Geoffrey Bilson Award for Historical Fiction for Young People.
Author profile page >
Recommended Age and Grade
Age:
6 to 8
Grade:
1 to 3
Awards
  • Commended, CCBC Best Books for Kids & Teens
  • Winner, Elizabeth Mrazik-Cleaver Canadian Picture Book Award
  • Commended, Notable Social Studies Trade Books for Young People
  • Short-listed, BC & Yukon Book Prize Christie Harris Illustrated Children's Literature Prize
  • Commended, USBBY Outstanding International Books List
  • Short-listed, Marilyn Baillie Picture Book Award
  • Commended, Kirkus Best Books
  • Commended, Bank Street College of Education Best Books
  • Commended, SLJ Best Books
  • Short-listed, Pacific Northwest Book Award
  • Commended, OLA Best Bets—Honorable Mention
  • Winner, Freeman Book Awards for Children's Literature on East and Southeast Asia
Editorial Reviews

“Text and illustration come together to make this a memorable story of love, loss, and despair tinged with the hope that comes when healing can finally begin...This book has a wide range of appeal and will fit into many curriculum areas. Highly Recommended.”

— School Library Connection

? “A beautifully rendered tale of loss, love, grief, and gentle healing.”

— Kirkus Reviews, starred review

“Beautifully lyrical…This story is sure to be a favourite...Highly recommended for all children’s libraries.”

— Resource Links

“This book is an essential purchase for elementary school libraries and home libraries. Children need to learn empathy, coping skills and the simplicity of communicating to help during the healing process.”

— Must Read Literature: K thru YA

“This tender look at both personal and community loss shows how we begin to take the first small, difficult steps toward healing.”

— The Horn Book

? “A moving tale...offers comfort and peace to those left behind.”

— Booklist, starred review

“A moving concept, and the book might open discussion about ways to deal with death and loss.”

— The Bulletin for the Center for Children's Books

? “Smith spins a quietly moving narrative...Wada’s large-scale woodblock style illustrations are a perfect complement to the story’s restrained text...The graceful way in which this book handles a sensitive and serious subject makes it a first purchase for most picture book collections.”

— School Library Journal, starred review

“Wondrous, full of grace, and so poignant.”

— Sal's Fiction Addiction

"Tackles tragedy with compassion and shows that beauty and community can be found in even the darkest times...The illustrations, inspired by traditional Japanese art, are my favorite from any picture book in 2019 and perfectly capture the story's themes of hope and loss. While young readers may have many questions about death, this book answers one of the biggest ones--how do we move forward? The answer, according to Mr. Hirota, is together."

— Canadian Children's Book News

? “An affecting, well-rendered resource for talking about catastrophes and grief both personal and communal.”

— Publisher Weekly, starred review

“[An] affecting story...Will provide much material for thought and discussion. The artwork will also give inspiration to budding illustrators of all ages.”

— CM: Canadian Review of Materials

“Touching tale of loss and resilience.”

— Hakai Magazine

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