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published: Sep 2019
ISBN:9781459821057
publisher: Orca Book Publishers

The Phone Booth in Mr. Hirota's Garden

by Heather Smith, illustrated by Rachel Wada

tagged: non-classifiable, asia, emotions & feelings
0 of 5
0 ratings
rated!
rated!
list price: $0.99
edition:eBook
also available: Hardcover Audiobook
published: Sep 2019
ISBN:9781459821057
publisher: Orca Book Publishers
Description

? “Smith spins a quietly moving narrative...Wada’s large-scale woodblock style illustrations are a perfect complement to the story’s restrained text...The graceful way in which this book handles a sensitive and serious subject makes it a first purchase."—School Library Journal
When the tsunami destroyed Makio's village, Makio lost his father . . . and his voice. The entire village is silenced by grief, and the young child's anger at the ocean grows. Then one day his neighbor, Mr. Hirota, begins a mysterious project—building a phone booth in his garden. At first Makio is puzzled; the phone isn't connected to anything. It just sits there, unable to ring. But as more and more villagers are drawn to the phone booth, its purpose becomes clear to Makio: the disconnected phone is connecting people to their lost loved ones. Makio calls to the sea to return what it has taken from him and ultimately finds his voice and solace in a phone that carries words on the wind.
The Phone Booth in Mr. Hirota's Garden is inspired by the true story of the wind phone in Otsuchi, Japan, which was created by artist Itaru Sasaki. He built the phone booth so he could speak to his cousin who had passed, saying, "My thoughts couldn't be relayed over a regular phone line, I wanted them to be carried on the wind." The Tohoku earthquake and tsunami in 2011 destroyed the town of Otsuchi, claiming 10 percent of the population. Residents of Otsuchi and pilgrims from other affected communities have been traveling to the wind phone since the tsunami.

About the Authors
Heather Smith is the author of two young adult novels, Baygirl and The Agony of Bun O'Keefe. Originally from Newfoundland, she now lives in Waterloo, Ontario.
Author profile page >

Rachel Wada was raised between Japan and Hong Kong and is currently based in Vancouver, British Columbia. She has created illustrations for magazines, newspapers, advertising, and even a mural. Her first children's book project, The Phone Booth in Mr. Hirota's Garden, was recognized with the Freeman Award for Children's Literature. Her second children's book, From The Tops Of The Trees, is expected to be published in the fall of 2021. Visually, Rachel's works are characterized by the use of rich colours, textures, and fine details through both digital and traditional mediums.
Author profile page >
Recommended Age and Grade
Age:
6 to 8
Grade:
1 to 3
Awards
  • Short-listed, Rocky Mountain Book Award
  • Commended, Forest of Reading Light Reads Great Stories
  • Commended, USBBY Outstanding International Books List
  • Commended, Sheila Barry Best Canadian Picturebook of the Year—Honour Book
  • Winner, Elizabeth Mrazik-Cleaver Canadian Picture Book Award
  • Short-listed, BC & Yukon Book Prize Christie Harris Illustrated Children's Literature Prize
  • Commended, Notable Social Studies Trade Books for Young People
  • Commended, CCBC Best Books for Kids & Teens
  • Commended, International Youth Library White Ravens Catalogue
  • Short-listed, BC and Yukon Book Prize Society Christie Harris Illustrated Children's Literature Prize
  • Short-listed, Marilyn Baillie Picture Book Award
  • Short-listed, Pacific Northwest Book Award
  • Commended, Bank Street College of Education Best Books
  • Winner, Freeman Book Awards for Children's Literature on East and Southeast Asia
  • Commended, OLA Best Bets—Honorable Mention
  • Commended, SLJ Best Books
  • Commended, Kirkus Best Books
Editorial Reviews

“Beautifully lyrical…This story is sure to be a favourite...Highly recommended for all children’s libraries.”

— Resource Links

“Text and illustration come together to make this a memorable story of love, loss, and despair tinged with the hope that comes when healing can finally begin...This book has a wide range of appeal and will fit into many curriculum areas. Highly Recommended.”

— School Library Connection

“Wondrous, full of grace, and so poignant.”

— Sal's Fiction Addiction

“Touching tale of loss and resilience.”

— Hakai Magazine

? “An affecting, well-rendered resource for talking about catastrophes and grief both personal and communal.”

— Publisher Weekly, starred review

“A moving concept, and the book might open discussion about ways to deal with death and loss.”

— The Bulletin for the Center for Children's Books

“This book is an essential purchase for elementary school libraries and home libraries. Children need to learn empathy, coping skills and the simplicity of communicating to help during the healing process.”

— Must Read Literature: K thru YA

? “A moving tale...offers comfort and peace to those left behind.”

— Booklist, starred review

“[An] affecting story...Will provide much material for thought and discussion. The artwork will also give inspiration to budding illustrators of all ages.”

— CM: Canadian Review of Materials

? “A beautifully rendered tale of loss, love, grief, and gentle healing.”

— Kirkus Reviews, starred review

"Tackles tragedy with compassion and shows that beauty and community can be found in even the darkest times...The illustrations, inspired by traditional Japanese art, are my favorite from any picture book in 2019 and perfectly capture the story's themes of hope and loss. While young readers may have many questions about death, this book answers one of the biggest ones--how do we move forward? The answer, according to Mr. Hirota, is together."

— Canadian Children's Book News

? “Smith spins a quietly moving narrative...Wada’s large-scale woodblock style illustrations are a perfect complement to the story’s restrained text...The graceful way in which this book handles a sensitive and serious subject makes it a first purchase for most picture book collections.”

— School Library Journal, starred review

“This tender look at both personal and community loss shows how we begin to take the first small, difficult steps toward healing.”

— The Horn Book

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