In 1903 a mysterious, desperate young woman flees alone across the west, one quick step ahead of the law. She has just become a widow by her own hand.

Two vengeful brothers and a pack of bloodhounds track her across the western wilderness. She is nineteen years old and half mad. Gil Adamson's extraordinary novel opens in heart-pounding mid-flight and propels the reader through a gripping road trip with a twist -- the steely outlaw in this story is a grief-struck young woman. Along the way she encounters characters of all stripes -- unsavoury, wheedling, greedy, lascivious, self-reliant, and occasionally generous and trustworthy. Part historical novel, part Gothic tale, and part literary Western, The Outlander is an original and unforgettable read.

GIL ADAMSON is the critically acclaimed author of Ridgerunner, which won the Writers’ Trust Fiction Prize, was a finalist for the Scotiabank Giller Prize, and was named a best book of the year by the Globe and Mail and the CBC. Her first novel, The Outlander, won the Dashiell Hammett Prize for Literary Excellence in Crime Writing, the Amazon.ca First Novel Award, the ReLit Award, and the Drummer General’s Award. It was a finalist for the Commonwealth Writers’ Prize, CBC Canada Reads, and the Prix Femina in France; longlisted for the International IMPAC Dublin Literary Award; and chosen as a Globe and Mail and Washington Post Top 100 Book. She is also the author of a collection of linked stories, Help Me, Jacques Cousteau, and two poetry collections, Primitive and Ashland. She lives in Toronto.

 

Gil Adamson's profile page

• Long-listed, CBC Canada Reads
• Winner, Amazon.ca/Books in Canada First Novel Award
• Short-listed, OLA Evergreen Award (Forest of Reading)
• Short-listed, Commonwealth Writers' Prize - Best Book
• Short-listed, Trillium Book Award
• Winner, ReLit Awards - Novel
• Winner, Dashiell Hammett Prize
• Winner, Drummer General's Award

One of those books so gorgeous in the writing that you simultaneously can't wait to read what happens next and want to savour the beauty of the writing.

Herald Tribune

In the tradition of Guy Vanderhaeghe, this is a dark novel with a long finish. It should age well.

Sun Times (Owen Sound)

As novels go, The Outlander should qualify for Great Canadian status...Described by author Gil Adamson herself as 'literary gothic western,' The Outlander is perhaps the only book of this genre, but it seems at home among such Canadian classics as Susanna Moodie's Roughing It in the Bush [and] Margaret Atwood's Alias Grace...

Fast Forward Weekly

...[a] compelling debut...lean prose, full-bodied characterization, memorable settings and scenes of hardship all lift this book above the pack.

Publishers Weekly

The Outlander deserves to be read twice, first for the plot and the complex characters which make this a page-turner of the highest order, and then a second time, slowly, to savor the marvel of Gil Adamson's writing. This novel is a true wonder.

Ann Patchett

Gil Adamson's The Outlander is, simply enough, a superb novel and one senses in the fine writing the potential, or perhaps the eventuality, of a major writer. The frayed material of the North American west is rendered in astonishingly fresh light. The Outlander is also suspenseful to a degree that you are often in a state of physical unrest, a condition only occasioned by first-rate fiction.

Jim Harrison

Throughout the novel, Adamson's keen eye for detail and mastery of language are much in evidence in her descriptions of the natural surroundings.

Winnipeg Free Press

This is an old-fashioned adventure story - with a dark fairy-tale element.

Financial Times

...[The Outlander] is a hallucinatory road novel - or, more accurately, trail novel - written in a chanting prose that's rich with wilderness description, physical adventure and barbed humor...Here's a novel that offers both an intense journey (Mary's) and a portrait of a specific time and place: the Canadian frontier...

Seattle Times

This uncommon first novel by Gil Adamson combines a thrilling adventure story with polished literary technique.

Canadian Literature

The Outlander, a strikingly good first novel by the Canadian poet Gil Adamson...reads like a pastiche Western with elements of supernatural grotesquerie out of Stephen King or even The X-Files...The author writes well on the supernatural chill of the Canadian outback at nightfall.

Spectator (U.K.)

...a richly episodic chase novel...

Edmonton Journal

Gil Adamson's first novel bolts off the opening page...An absorbing adventure from a Canadian poet and short story writer who knows how to keep us enthralled...The Girl Being Chased is one of the most enduring figures of chivalric and chauvinistic literature...a strikingly pensive novel, anchored by the stark beauty of its setting and the harsh wisdom of its narrator...Adamson is as captivating with descriptions of vast mountain ranges as she is with the smaller calamities...her story will unsettle your dreams just the same.

Washington Post

Adamson's writing is superb...

Maclean's

Gil Adamson has chiselled her characters, polished every word, and turned The Outlander into something magical...Adamson's characters are fully formed, described with nuances and details that make us feel that we really know them. And her writing is beautiful, poetic, descriptive, lyrical...This is a book that lingers in the mind long after the final page has been read.

Guelph Mercury

A novel that was completely overlooked by all the prizes and awards, but is mesmerizing and compellingly suspenseful...A picaresque tour de force.

Calgary Herald

...presented simply...

Pittsburgh-Tribune Review

For readers who want a cracking good story with unforgettable characters engaged in tension-filled activities, and told with a superlative richness of language and a lushness of imagery, Gil Adamson's novel, The Outlander, is it. Her widow, Mary Boulton, and Bonny, her Reverend, are the ideal stuff and stuffings of legends.

January Magazine

...the prose style of The Outlander is rich with natural details and metaphors. These descriptive ingredients are like cornstarch, serving to thicken the narrative and impart a glaze-like surface to the main dish. Because of its strong narrative line...and Adamson's...true poet's eye for metaphors and details that work, The Outlander is a superior example of the [Gothic] genre.

Toronto Star

Striking, thoughtful, full of unexpected twists, The Outlander is that rare delight: a novel that is beautifully written yet as gripping as any airport page-turner...Adamson, a Toronto-based poet, must possess either an impressive collection of reference books or a powerful imagination - or both...This is a serious, literary book that moves far beyond genre or gender stereotypes.

Guardian

...the prose hovers above the Earth, poetic enough not to land, but feeding off the grit....The Outlander is a dark wonder.

Globe and Mail

...a great read. Adamson is an impressive stylist who knows how to keep [a]...story moving at a swift and graceful pace.

Quill & Quire

[A] great read - a masterful combination of story and prose style.

David Wroblewski

The Outlander is a riveting tale of a woman's thirst for freedom.

Entertainment Weekly

A remarkable first novel, full of verve, beautifully written, and with all the panache of a great adventure.

Michael Ondaatje

...a gorgeous surprise of a book, unfairly neglected by prizes and pundits alike. Stylish and compelling, this novel about a woman's picaresque flight from and toward justice is both elegant in shape and exquisitely written. A powerful and wonderful imagination blossoms here.

Globe and Mail