Writers’ Trust Fiction Prize Winner
Scotiabank Giller Prize Finalist
Part literary Western and part historical mystery, Writers’ Trust Fiction Prize winner Ridgerunner is now available as a paperback.
November 1917. William Moreland is in mid-flight. After nearly twenty years, the notorious thief, known as the Ridgerunner, has returned. Moving through the Rocky Mountains and across the border to Montana, the solitary drifter, impoverished in means and aged beyond his years, is also a widower and a father. And he is determined to steal enough money to secure his son’s future.
Twelve-year-old Jack Boulton has been left in the care of Sister Beatrice, a formidable nun who keeps him in cloistered seclusion in her grand old house. Though he knows his father is coming for him, the boy longs to return to his family’s cabin, deep in the woods. When Jack finally breaks free, he takes with him something the nun is determined to get back — at any cost.
Set against the backdrop of a distant war raging in Europe and a rapidly changing landscape in the West, Gil Adamson’s follow-up to her award-winning debut, The Outlander, is a vivid historical novel that draws from the epic tradition and a literary Western brimming with a cast of unforgettable characters touched with humour and loss, and steeped in the wild of the natural world.
About the author
GIL ADAMSON is the critically acclaimed author of Ridgerunner, which won the Writers’ Trust Fiction Prize, was a finalist for the Scotiabank Giller Prize, and was named a best book of the year by the Globe and Mail and the CBC. Her first novel, The Outlander, won the Dashiell Hammett Prize for Literary Excellence in Crime Writing, the Amazon.ca First Novel Award, the ReLit Award, and the Drummer General’s Award. It was a finalist for the Commonwealth Writers’ Prize, CBC Canada Reads, and the Prix Femina in France; longlisted for the International IMPAC Dublin Literary Award; and chosen as a Globe and Mail and Washington Post Top 100 Book. She is also the author of a collection of linked stories, Help Me, Jacques Cousteau, and two poetry collections, Primitive and Ashland. She lives in Toronto.
- Short-listed, Writers’ Trust Fiction Prize
- Short-listed, Scotiabank Giller Prize
Excerpt: Ridgerunner (by (author) Gil Adamson)
William Moreland kept moving south. If the moon was bright he walked all night, wading through dry prairie grass. He was alone and carried his meagre belongings on his back. It was November and snow clung to the hollows and shadows, but that snow was old, dry, delicate as meringue. He had come down the leeward side of the Rockies and had descended into the rolling grassland that runs from Alberta all the way into Montana. Having left the only real home he had ever known, he was looking for the border.
Cold as the days were, the sun was intense. Every noon he boiled in his coat and every night he lay shivering on the frigid ground and whined like a dog. After four days and nights, his feet were very bad. He suspected they were bloody by now but he couldn’t bring himself to pull off the boots and look.
This was open country. To the east, long grass and low trees all the way to the horizon, and to the west, the land bled into the cloud-like silhouette of the mountains. Days ago he had lost sight of the ranges he called home, and now he paced alongside peaks he remembered dimly from long ago, when he was a younger man, a line of only half-familiar shapes, the faces of acquaintances. He’d stolen everything he could from a ranger’s station outside Banff, including a knapsack, a hatchet, matches, and a blanketcoat with ROCKY MTNS PARK stencilled across the shoulder blades and STN 153 on the chest. He’d found nothing useful for hunting. No gun, not even a knife.
The jerky he’d been eating began to fume right through the canvas of his knapsack and sicken him as he walked. Holding the bag to his belly he clawed through it, dropping behind him the last strips of meat. Then the reeking square of oilcloth in which they had been wrapped fluttered down to settle on a tuft of grass like a tiny umbrella. He took out the hatchet and considered dropping it as well, to get rid of the weight, but couldn’t open his hand. The hatchet had great utility, so he slid it back into his bag. He was god-almighty thirsty and dreamed as he walked, dreamed of a river, of drinking gallons of water from that cold river.
One afternoon he came upon a gully packed with young trees which turned out to be mostly dry, but he dug down and sipped at a muddy pool. Then he rolled onto his side under the cover of shrubs and slept hard. When he rose a few hours later it was getting on to dark and he was stiff and trembling.
That night he found himself on the road he had been looking for. He followed it until he was standing, as planned, outside the little guard hut at the Sweetgrass border crossing between Alberta and Montana. He stood by the lightless window and swayed on numb legs. A bright coin of a moon overhead and no wind at all. The world was utterly still, so quiet he could hear his own ears humming. William Moreland stood like an idiot before the hut and waited for the guard. He stared about with hollow eyes and slowly came to the conclusion that he should probably do something.
Beyond the hut was a small gabled house and an unoccupied corral. There was a motorcar up on blocks by the kitchen door, but no lights to be seen anywhere. Moreland tried to call out with his dry throat but all that came out was a thin hiss; his first attempt to speak in more than a week. The applicant to cross over simply waited there, as he should, trying to either speak to authority, or call for service, but could make no sound at all, while the guard slumbered somewhere out of sight.
A barn owl melted out of the dark and alighted on a gable of the house. They gazed unblinking at each other until the owl tilted off and moved without sound to the west.
The absurdity of the situation was not lost on Moreland: this was after all the border between two countries. But all around him was a sea of grass and rolling land and wind and animals and dust and seeds that flowed this way and that across the imagined line. A decade and a half earlier he would not have stopped, nor intended to stop, nor have approached the crossing station at all. He would not have given it the slightest thought, but gone his own, quiet, solitary way, neither wild nor domesticated, just alone. But now he had been so long among people he’d forgotten that part of himself. So it came to him very slowly that the natural world, having long ago defined its own precincts and notions of order, was simply waiting for him to become unstuck.
He cupped his face and pressed it to the thin glass. In the darkness of the hut he saw a wooden counter and a high stool. He wandered round to the rear and pulled open the door. Inside he found a shelf under the counter on which stood a few romance books, a clean plate and a fork, long-dead bees and bits of bee, and below that, bolted to the floor, a small metal box. On top lay a heavy padlock, twisted open, and the key was stuck in it. He gathered the padlock into his fist, lifted the lid of the box, and let it all sag to the floor.
Moreland stood for a long time looking down at the revolver. An army model, Colt single action. There were a few spare rounds in the box, some of which didn’t match the gun but seemed to have been put there for tidy housekeeping. He considered taking the pistol, but in the end he shut the lid of the box, put the padlock back on top, shut the door to the hut, and left everything as it had been. He looked across the road at the blank windows of the little house and went back out into the night, moving south, always south, wading through a vast nothingness of grass. An ocean of grass.
Striking … Once again, Adamson’s powers as a poet weave her characters deeply into the natural world.
Adamson’s Ridgerunner is the kind of book that forges the possible from the impossible, despite age and borders. It’s a hearty, brave novel that challenges us to live life on our own terms.
Chicago Review of Books
Engrossing … Adamson immerses readers in life as it was a century ago with attention to details about horses, wolves, bears, the weather, and all of nature, including the light and dark of human nature. Her sly plotting never quits, luring the reader into shocking surprises.
Booklist, STARRED REVIEW
Adamson writes with a sly wit and a deep insight into her characters and the natural world but, more significantly, into how the characters and the natural world interact, shaping and being shaped by one another . . . Everything packs a significant punch and draws the reader into the novel’s world with a startling immediacy.
Quill & Quire
Part literary Western, part historical mystery, it’s a vivid story that grabs you by the eyeballs on page one.
Globe and Mail
I have just finished reading Ridgerunner by Gil Adamson, a novel that left me deeply satisfied and savouring the experience of reading a really good book … A great story and a wonderfully written novel.
Metro North Bay-Nippissing
Rich and exciting … delightful, sinewy language that takes time with the details of the moment, of humour and whimsy … Adamson’s writing soars.
Hamilton Review of Books