Dependable grad student Ardeth Alexander finds herself trapped in a nightmare as the unwilling blood source for a captive vampire. When she discovers that her fellow prisoner is not the worst monster she faces, she realizes that the only way to survive is to make an irrevocable choice.

Nancy Baker is the author of four novels—The Night Inside, Blood and Chrysanthemums, A Terrible Beauty, and Cold Hillside—and Discovering Japan, a collection of short stories.

She lives in Toronto and avoids writing by gardening, making jam, drinking martinis and working in finance.

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Praise for Nancy Baker

“Cold Hillside is a very smart and entertaining fantasy novel that met and exceeded my expectations going in to the novel. While there is very little action in the book, it is very well written and thought provoking so that I never got bored as I read this longer novel. Baker takes the fantasy genre and turns it on its ear. There is magic and chivalry in the novel but they do not overwhelm the story. There is even a fair amount of political and familial intrigue that fans of Game of Thrones have come to love in Cold Hillside but it never bogs the story down. Cold Hillside is a very smart fantasy that does not draw the reader into the world of the fantastic but rather makes the fantastic real. I used to be a huge fan of the fantasy genre when I was younger but have drifted from it to some extent as I aged. Baker is able to capture that sense of enchantment that I used to feel when reading fantasy and transported me to a somewhat magical time in my life through this novel. Cold Hillside is sure to please fans of fantasy but I would dare anyone to pick up this book and not enjoy it.”
—Josef Hernandez, Examiner.com

“Baker’s style combines, or alternates between, traditional realism and fantasy; realism with its developed, motivated, complex characters; plots which attempt to reflect life as we live it; and straightforward, transparent prose—and fantasy, with its more stereotyped characterizations; stylized story lines; and formal, sometimes poetic language. The latter style is more prominent in the part of the novel which flash back to ancient Japan, where the prose lilts gracefully.”
—Toronto Star

“Nancy Baker writes about the vampires next door . . . they bicker over petty, everyday things. They are jealous when a partner flirts with someone. They worry about paying the rent . . . ‘They’re Canadian,’ she says.”
—The Vancouver Sun

“Baker evokes the various figures from Japanese culture familiar in the West—yakuza, samurai and medieval court ladies and their pillow books—but she goes beyond clichés and invests these characters with a solidity and poignancy that contrast sharply with the simpler Canadian horror of The Night Inside. This is a more contemplative offering, and while it is not always successful, it has moments of great effectiveness. Ardeth’s nocturnal cross-country hitchhiking trip is particularly noteworthy for its undercurrents of violence and loneliness.”
—Paragraph