It all started with a black rose and a rich young man. And a house with a creek running through it. And then there she was, Kip Flynn, standing beside her dead boyfriend and agreeing to take a large sum of money from the young man's father to keep quiet. As if she could have done anything else, she was so scared and grief-stricken and maybe pregnant.

But that's not the end of it. You see, there's some kind of connection between Kip and this rich developer's son that keeps them tight in one another's orbit. So, when Kip awakens from her grief, intent on revenge, they find themselves pursuing one another with a ferocity they can barely understand, one that spirals outward, with subway accidents and arson and drainpipes and backhoe wars, to envelop roommates, two guilty fathers, a window-washer or two, landlords, family secrets, Vietnamese gangsters, a standup-bass player and an activist tour guide. And even the subterranean heart of Toronto itself, which, like Kip, is torn between vengefulness and growth.

Sean Dixon is a novelist and playwright, co-founder of the seminal 90s Winnipeg physical Theatre Company PRIMUS. His novels include The Girls Who Saw Everything (published in the UK as The Last Days of the Lacuna Cabal) and The Many Revenges of Kip Flynn. His recent plays include Theatrefront's The Orange Dot, (which Toronto Star's Karen Fricker called a "finely nuanced observation of male-female interaction ... that is part triumph, part tragedy of wronged, vengeful women"), Blyth Festival's The Wilberforce Hotel (published by Scirocco, about a short-lived African American settlement in 1830's Ontario) and Tarragon Theatre's 'A God in Need of Help' , based on the true story of four strong men who were forced to carry a painting over the Alps in the early 17th Century (GG nominated for best new play). Upcoming is a play for the Tarragon (Orphan Song) about two different species of early humans involved in the elemental experience of adoption, and a children's picture book about a kid making a family tree.

Sean Dixon's profile page

‘Dixon plays with language and form, using images to crystallize a reader’s experience and make them consider the possibilities of the novel.’ – Publishers Weekly

‘One of Dixon’s great strengths is his ability to tease out evocative characters from the streets and alleys. He is able to pump up fleeting players until they float like balloons through the streetscape.’ – National Post

‘Dixon unfolds his narrative with the measured pace of an experienced storyteller, rarely in a rush to reveal his next move, but always aware of the inquisitive eye of the reader. He paints his characters with deep, detailed strokes.’ – Broken Pencil