Textual Mothers/Maternal Texts focuses on mothers as subjects and as writers who produce auto/biography, fiction, and poetry about maternity. International contributors examine the mother without child, with child, and in her multiple identities as grandmother, mother, and daughter.
The collection examines how authors use textual spaces to accept, negotiate, resist, or challenge traditional conceptions of mothering and maternal roles, and how these texts offer alternative practices and visions for mothers. Further, it illuminates how textual representations both reflect and help to define or (re)shape the realities of women and families by examining how mothering and being a mother are political, personal, and creative narratives unfolding within both the pages of a book and the spaces of a life. The range of chapters maps a shift from the daughter-centric stories that have dominated the maternal tradition to the matrilineal and matrifocal perspectives that have emerged over the last few decades as the mother’s voice moved from silence to speech.
Contributors make aesthetic, cultural, and political claims and critiques about mothering and motherhood, illuminating in new and diverse ways how authors and the protagonists of the texts “read” their own maternal identities as well as the maternal scripts of their families, cultures, and nations in their quest for self-knowledge, agency, and artistic expression.

Elizabeth Podnieks is an associate professor in the Department of English and the graduate program in Communication and Culture at Ryerson University. She teaches and researches in the fields of mothering, life writing, modernism, and popular/celebrity culture. She is the author of Daily Modernism: The Literary Diaries of Virginia Woolf, Antonia White, Elizabeth Smart, and Anaïs Nin (2000) and the co-editor of Hayford Hall: Hangovers, Erotics, and Modernist Aesthetics (2005).

Andrea O’Reilly is an associate professor in the School of Women’s Studies at York University. She is co-editor/editor of many books on motherhood, including Maternal Theory: The Essential Readings (2007) and Feminist Mothering (2008). O’Reilly is author of Toni Morrison and Motherhood: A Politics of the Heart (2004) and Rocking the Cradle: Thoughts on Motherhood, Feminism, and the Possibility of Empowered Mothering (2006). She is founder and director of the Association for Research on Mothering, (ARM), founder and editor-in-chief of the Journal of the Association for Research on Mothering, and founder and editor of Demeter Press, the first feminist press on motherhood.

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Dr. Andrea O’Reilly is internationally recognized as the founder of Motherhood Studies (2006) and its subfield Maternal Theory (2007), and creator of Matricentric Feminism, a feminism for and about mothers (2016) and Matricritics, a literary theory and practice for a reading of mother-focused texts (2024). She is full professor in the School of Gender, Sexuality and Women’s Studies at York University, founder/editor-in-chief of the Journal of the Motherhood Initiative and publisher of Demeter Press. She is co-editor/editor of thirty plus books on many motherhood topics including: Feminist Mothering, Young Mothers, Monstrous Mothers, Maternal Regret, Normative Motherhood, Mothers and Sons, Mothers and Daughters, Maternal Texts, Academic Motherhood, Mothers on Finding and Realizing Feminism and Mothering and Covid-19. She is editor of the Encyclopedia on Motherhood (2010) and co-editor of the Routledge Companion to Motherhood (2019). She is author of Toni Morrison and Motherhood: A Politics of the Heart (2004); Rocking the Cradle: Thoughts on Motherhood, Feminism, and the Possibility of Empowered Mothering (2006); and Matricentric Feminism: Theory, Activism, and Practice, The 2nd Edition (2021). Forthcoming titles include: The Mother Wave: Theorizing, Enacting, and Representing Matricentric Feminism , The Missing Mother, and Revolutionizing Motherlines. She is currently completing her monograph Matricritics as Literary Theory and Criticism: Reading the Maternal in Post-2010 Women’s Narratives. Matricritics as Literary Theory and Criticism: Reading the Maternal in Post-2010 Women’s Narratives. She is twice the recipient of York University’s “Professor of the Year Award” for teaching excellence and is the 2019 recipient of the Status of Women and Equity Award of Distinction from OCUFA (Ontario Confederation of University Faculty Associations). She has received more than 1.5 million dollars in grant funding for her research projects including two current ones: “Millennial Moms” and “Mothers and Returning to ‘Normal’: The Impact of the Pandemic on Mothering and Families.”

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