Performing Arts History & Criticism
Television Finales
From Howdy Doody to Girls
- Publisher
- Syracuse University Press
- Initial publish date
- Nov 2018
- Category
- History & Criticism, General, Popular Culture
-
Hardback
- ISBN
- 9780815636045
- Publish Date
- Nov 2018
- List Price
- $94.95
Classroom Resources
Where to buy it
Description
Today more than ever, series finales have become cultural touchstones that feed watercooler fodder and Twitter storms among a committed community of viewers. While the final episodes of The Fugitive and M*A*S*H continue to rank among the highest rated broadcasts, more recent shows draw legions of binge-watching fans. Given the importance of finales to viewers and critics alike, Howard and Bianculli along with the other contributors explore these endings and what they mean to the audience, both in terms of their sense of narrative and as episodes that epitomize an entire show. Bringing together a veritable “who’s who? of television scholars, journalists, and media experts, including Robert Thompson, Martha Nochimson, Gary Edgerton, David Hinckley, Kim Akass, and Joanne Morreale, the book offers commentary on some of the most compelling and often controversial final episodes in television history. Each chapter is devoted to a separate finale, providing readers with a comprehensive survey of these watershed moments. Gathering a unique international lineup of journalists and media scholars, the book also offers readers an intriguing variety of critical voices and perspectives.
About the authors
Douglas L. Howard's profile page
David Bianculli's profile page
Karen Hellekson's profile page
Ensley F. Guffey's profile page
David Diffrient's profile page
Martha P. Nochimson's profile page
Elizabeth L. Rambo's profile page
Erika Johnson-Lewis' profile page
Mitchell E. Shapiro's profile page
Renee Middlemost's profile page
Stephen Spignesi's profile page
Katheryn Wright's profile page
Jonathan Nichols-Pethick's profile page
Douglas Snauffer's profile page
Michael Leo Donovan is a professional scriptwriter. A graduate of the University of Southern California, he is Communications Professor at Concordia University in Montreal.
Michael Donovan's profile page
Jeffrey Bussolini's profile page
Stephanie Graves' profile page
Trisha Dunleavy's profile page
Cynthia Burkhead's profile page
Joanne Morreale's profile page
Asokan Nirmalarajah's profile page
J. Jeremy Wisnewski's profile page
Lincoln Geraghty's profile page
About the Editor: Michele Byers is Assistant Professor in the Department of Sociology and Criminology at Saint Mary's University, Halifax.
Gary R. Edgerton's profile page
ROBERT THOMPSON writes a golf column for the National Post and was a staff reporter covering business and sports. He is also a columnist for Score Golf, a contributing editor for Travel and Leisure Golf, and has written for The Globe and Mail and Golf magazine. His books include Always Fresh: The Untold Story of Tim Hortons by the Man Who Created a Canadian Empire, and The Third Best Hull.
Robert Thompson's profile page
Lynnette Porter's profile page
Editorial Reviews
An invaluable resource for those studying or researching popular culture. . . .Highly recommended
Choice
Finales are in many cases the high points of iconic television series. This carefully compiled and well-researched compendium provides a definitive explication and assessment of finales through the half century and counting of television, and will become a classic text in the field.
Paul Levinson, professor of communication and media studies, Fordham University
This book is about much more than television finales; it shows us how the final episode illuminates the entire series. David Bianculli’s work is historically informed, showing his mastery of the subject. With contributors representing some of the leading lights in television studies and impressive contributions by new scholars as well, the approximately seventy essays span the scope of television.
Rhonda V. Wilcox, author of Reading Joss Whedon
The last word on TV endings.
Matt Zoller Seitz, television critic for New York Magazine