Stifling Folds of Love
Aliette Nouvelle Mystery, An
- Publisher
- Signature Editions
- Initial publish date
- Oct 2011
- Category
- Police Procedural, Women Sleuths
-
Paperback / softback
- ISBN
- 9781897109571
- Publish Date
- Oct 2011
- List Price
- $18.95
Classroom Resources
Where to buy it
Description
When a former school teacher's wealthy ex-lovers begin dying of apparent heart attacks, Commissaire Claude Néon begins an investigation. Although she warns, advises, and tries to help, Inspector Aliette Nouvelle cannot prevent her commissaire from falling into trouble Â? first as a suspect, then a likely next victim, finally as a pawn to bring a resolution.
About the author
John Brooke became fascinated by criminality and police work listening to the courtroom stories and observations of his father, a long-serving judge. Although he lives in Montreal, John makes frequent trips to France for both pleasure and research. He earns a living as a freelance writer and translator, and has also worked as a film and video editor as well as directed four films on modern dance. His poetry and short stories have been widely published and in 1998 his story "The Finer Points of Apples" won him the Journey Prize. Brooke's first Inspector Aliette Nouvelle mystery, The Voice of Aliette Nouvelle, was published in 1999, followed by All Pure Souls in 2001. He took a break from Aliette with the publication of his novel Last Days of Montreal in 2004, but returned with her in 2011 with Stifling Folds of Love and The Unknown Masterpiece in 2012.
Excerpt: Stifling Folds of Love: Aliette Nouvelle Mystery, An (by (author) John Brooke)
The city lights began to twinkle. Inspector Aliette Nouvelle fetched herself a second beer and came out onto her balcony, where she stood at the rail in the warm night air gazing up, Piaf circling her ankles.
Thanks to Claude's secretary, Monique Sparr, she now knew that she and Pearl were neighbors. More or less. That is, inasmuch as a society queen’s luxury penthouse atop a ten-story apartment building can be said to occupy common space with a single-working-girl’s third-floor flat. Aliette sipped beer. Oh hell, sure they were. They shared the park. Pearl could look down at Aliette; she could gaze up at Pearl. The city was small, but the world was smaller. The inspector had spent close to nine years in her modest place beside the park, many lonely evenings staring empty-headed at the lights across the way. But she had never heard of Pearl Serein. No idea Pearl had moved in, somehow got the place (did she own it?) from a half-German noble who had designed and built it, and that lately the most interesting love affairs in the city had been going on up there. How could there have been no sign of it? ‘Eh, Piaf?’ You’d think the evening sky above Pearl might show a different color. Aliette could hardly see the fabled penthouse?—?a hedge protected it from telescopes. All she could see was the top end of a ladder with a diving board attached. Obviously over a pool. From Aliette’s low vantage, it appeared to be hanging suspended in the sky. She imagined the unseen pool. No doubt it glittered. She hoped Pearl would emerge tonight, go climbing up the tower ladder, step out under the starry night, do a swan dive…
Gazing up: There is, from one moment to the next, the ineffable notion of separate lives, unequal fates. Not much point in dwelling on it. Still, Aliette supposed Pearl was alone in her bed this night. If Pearl were not alone, everyone would know. How intolerable would that be? The inspector mused on the lot of the most sought-after girl in town. The physical thing: Would it really be better making love to Pearl Serein up there than, say…to Aliette Nouvelle, down here? Did pure height raise a man’s lust factor, induce a deeper passion, a more committed heart?
Gazing up: There was the notion of angels. Was Pearl Serein a modern angel, burnished by fame and affluence, aloft in rarefied air? These days so many people seemed to need to believe in their existence. (Monique!) In meeting Pearl, Aliette had marked an isolated woman with worry in her eyes, no hint of the passionate heart. But Aliette was a woman too and the thing she saw in Pearl was obviously mirror-like. She saw natural restraint, that innate sense of privacy. Then again, a police station was not very romantic, not like a private pool high above the world. It was clear Claude Néon saw Pearl differently. Aliette had to deduce Pearl’s tragically smitten loves had too. Tommi Bonneau had evoked a mundane snowball syndrome: one boy wants her so the next does too. She deduced that men felt Pearl’s presence in a way she could question, criticize, but never feel.
Editorial Reviews
It has been 10 years since John Brooke’s last Aliette Nouvelle mystery, and that is far, far too long. Brooke is easily one of Canada’s best crime writers, and this series, set in the environs of Strasbourg (the far environs) at France’s eastern border, is a real delight. Nouvelle is a strong character with a charming voice, but the books would not be as good if it were not for Commissaire Claude Neon and his extremely French police team. We are in Fred Vargas territory here.
There are several dead bodies, all well-known celebrities, all ex-lovers of the town’s near-legendary femme fatale, Pearl Serein. Just what makes Pearl irresistible is as mysterious as the heart attacks that finished off her lads. When Neon himself appears to be next on the list, or at least close to next, Aliette Nouvelle has to take charge of the mess already dubbed “the Pearl Effect.”
This is a smart, sophisticated mystery with lots of Gallic verve. Definitely the best of a very good series.
--The Globe and Mail