In Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity.

Audrey Jaffe is Professor of English at the University of Toronto. She is the author of The Affective Life of the Average Man: The Victorian Novel and the Stock-Market Graph and Vanishing Points: Dickens, Narrative, and the Subject of Omniscience.

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Jaffe's second book provides thorough and sophisticated readings. She draws her methodological apparatus from psychoanalytic and cinematic theory, which she handles with originality and flair. Scenes of Sympathy is a welcome addition to discussions of contemporary identity politics.

Choice

Scenes of Sympathy is especially rich in its demonstration of the remarkable range of preoccupations, Victorian and current, which find their underpinning in sympathy.

Victorian Studies