A vivid, contemporary travelogue, Salonica Terminus explores a current landscape thronged with figures bent beneath the weight of history. It peers beneath the rotting logs of ideology, and prods the decomposing hulks of historical corpses that litter this region of dark mountains and misty valleys. Through its pages lurch extremists, confidence men and would-be national saviors in the vivid, disarticulated manner of shadow puppets. Injustice and blood, it suggests, breed revenge and further injustice in a land where memories are long and knives are sharp.

From Bosnian actuality to Macedonian potentiality, Fred A. Reed’s recent travels in this region lead him to encounter a landscape inscribed with a shocking testimony: ethno-racialist aspirations remain the only coin in which peoples feel they can express their belonging, their social solidarity—the only credible alternative to the blight of free-market globalism.

International journalist and award-winning literary translator Fred A. Reed is also a respected specialist on politics and religion in the Middle East. Anatolia Junction, his acclaimed work on the unacknowledged wars of the Ottoman succession, has been translated in Turkey, where it enjoys a wide following. Shattered Images, which explores the origins of contemporary fundamentalist movements in Islam, has also been translated into Turkish, and into French as Images brisées (VLB éditeur, Montréal).

After several years as a librarian and trade union activist at the Montreal Gazette, Reed began reporting from Islamic Iran in 1984, visiting the Islamic Republic thirty times since then. He has also reported extensively on Middle Eastern affairs for La Presse, CBC Radio-Canada and Le Devoir.

A three-time winner of the Governor General’s Award for translation, plus a nomination in 2009 for his translation of Thierry Hentsch’s Le temps aboli, Empire of Desire. Reed has translated works by many of Québec’s leading authors, several in collaboration with novelist David Homel, as well as by Nikos Kazantzakis and other modern Greek writers.

Reed worked with documentarist Jean-Daniel Lafond on two documentary films: Salam Iran, a Persian Letter and American Fugitive. The two later collaborated on Conversations in Tehran (Talonbooks, 2006). He is currently working on a memoir. Fred A. Reed resides in Montréal.

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