Includes:

Seize the Day: The Mummers' Gros Mourn by Chris Brookes (1983)
Reclaiming Popular Theatre by Rose Adame (1983)
Mixed Company Redefines Political Theatre by Baņuta Rubess (1984)
The Interactive Documentary in Canada: Catalyst Theatre's It's About Time by Alan Filewod (1985)
Underdeveloped Alliance by Ian Filewod (1987)
Three Cultures, One Issue by Jan Selman (1987)
Against All Odds: The Progressive Arts Club Production of Waiting for Lefty by Bonita Bray (1990)
South Asian Women: Creating Stories of Resilience and Resistance by Sheila James (1998)
Anxiety and Contact in Attending to a Play About Landmines by Julie Salverson (2001)
Placemats for September 11 by Ruth Howard (2002)
Playwriting in Canadian Popular Theatre: Developing Plays with Actors and Non-Actors by Aida Jordão (2003)
Radical Storytelling: Performing Process in Canadian Popular Theatre by Ingrid Mündel (2003)
Theatre for Living and Practicing Democracy: Negotiating the Monologic Beast by Becky Halvorson (2003)
Disability Pride within Disability Performance by Catherine Frazee (2005)
Theatrical Nationhood in Radical Mobility by Alan Filewod (2005)
On the Political Importance of the Aesthetic by Catherine Graham (2006)
Talking Global, Performing Local by Lisa Doolitle and Lauren Jerke (2008)
Memory, Memorial and The Monument: Contested Memories in Rwanda, A Field Report by Jennifer H. Capraru (2009)
Rehearsing with Reality: Exploring Health Issues with Aboriginal Youth through Drama by Linda Goulet, Jo-Ann Episkenew, Waren Linds and Karen Arnason (2009)
Translating Research into Theatre; Nancy, A Testimonial Play by Geraldine Pratt and Caleb Johnston (2009)
Digital Popular Theatre by Sharon M. Lewis (2010)
Remembering Augusto Boal (1931-2009) by Patti Fraser (2010)

Critical Perspectives on Canadian Theatre in English sets out to make the best critical and scholarly work in the field readily available. The series publishes the work of scholars and critics who have traced the coming-into-prominence of a vibrant theatrical community in English Canada.

Julie Salverson is a nonfiction writer, playwright, editor, scholar and theatre animator. She is a fourth-generation Icelandic Canadian writer: her father George wrote early CBC radio and television drama and her grandmother Laura won two Governor General Awards (1937,1939). Julie's theatre, opera, books and essays embrace the relationship of imagination and foolish witness to risky stories and trauma. She works on atomic culture, community-engaged theatre and the place of the foolish witness in social, political and inter-personal generative relationships. Salverson offers resiliency and peer-support workshops to communities dealing with trauma and has many years of experience teaching and running workshops. Recent publications include the book When Words Sing: Seven Canadian Libretti (Playwrights Canada Press, 2021) and Lines of Flight: An Atomic Memoir (Wolsak & Wynn, 2016).

Julie Salverson's profile page

Ric Knowles is of anglo-Scottish heritage, and is Professor of Theatre Studies at the University of Guelph, editor of Canadian Theatre Review, and past editor of Modern Drama (1999â??2005). He is author of The Theatre of Form and the Production of Meaning, Shakespeare and Canada, and Reading the Material Theatre, co-author (with the Cultural Memory Group) of Remembering Women Murdered by Men, editor of Theatre in Atlantic Canada, Judith Thompson, and The Masks of Judith Thompson, and co-editor (with Joanne Tompkins and W.B.Worthen) of Modern Drama: Defining the Field. He is general editor of the book series Critical Perspectives on Canadian Theatre in English and New Essays on Canadian Theatre from Playwrights Canada Press.

Ric Knowles' profile page