Multi-award-winning poet Don McKay returns with a startling collection of new poems, his first since his Griffin Poetry Prize winning book, Strike/Slip

Don McKay is known, among other things, as Canada's foremost poet of the natural world. Readers have come to expect a playful extravagance in his poetry. Most recently, he has opened himself to the mysteries of geologic wonder. "Who needs ghosts when matter /nonchalantly haunts us," he writes. In his new book, perhaps his most stunning yet, it's fossils and deep time that provide the awe. The landscape of Newfoundland has taken his linguistic virtuosity even further, sharpened his wit, and given him a lyric energy that sometimes feels as if he's lifting the planet into song.

Don McKay has published numerous books of poetry, including Birding, or desire (1983), Night Field (1991), Apparatus (1997), Another Gravity (2000), Strike/Slip (2006), The Muskwa Assemblage (2008), and Paradoxides (2012). He won the Griffin Poetry Prize and the Dorothy Livesay Poetry Prize in 2007, two Governor General's Awards for Poetry (in 1991 and 2000), a National Magazine Award in 1991, the Canadian Authors Association Literary Award for Poetry (in 1983 and 2013), and the E.J. Pratt Poetry Award in 2013. His books have also appeared on the shortlists for the Governor General's Award for Non-fiction (in 2002), the Governor General's Award for Poetry (in 1983 and 1997), and the Griffin Poetry Prize (in 2001 and 2005). He was named to the Order of Canada in 2009

McKay is also a respected editor, teacher, and scholar. He has taught at the University of Western Ontario, the University of New Brunswick, the Banff Centre for the Arts, and the Sage Hill Writing Experience. He has served as editor and co-publisher of Brick Books since 1975, and from 1991 to 1996, he edited The Fiddlehead. He presently lives in St. John's, Newfoundland.

Don McKay's profile page

Praise for Don McKay:

"These exuberantly musical and shrewd poems are ecological in the fullest sense of the word: they seek to elucidate our relationships with our fragile dwelling places both on the earth and in our own skins."
—New York Times Book Review

"Don McKay walks us out to the uncertain ground between the known and unknown, between the names we have given things and things as they are. . . . McKay's meditations on time's evidence acquire a similar heft, proposing, in their discipline of mind and generosity of spirit, a way to be at home in the world. A book of patience, courage, and quiet eloquence."
—Judges' citation, 2007 Griffin Poetry Prize (winner)

"He is an essential poet of our time. . . ."
—Judges' citation, 2005 Griffin Poetry Prize

"Reading McKay is a heightened and altering experience; it changes my personal relationship with language and silence."
—Toronto Star