In virtually every aspect of culture-health, marriage, family, morals, politics, sex, race, economics-American men of the past two decades have faced changing social conditions and confronted radical questions about themselves. In Millennial Masculinity: Men in Contemporary American Cinema, editor Timothy Shary collects fourteen contributions that consider male representation in films made at the turn of the century to explore precisely how those questions have been dealt with in cinema. Contributors move beyond the recent wave of "masculinity in crisis" arguments to provide sophisticated and often surprising insight into accessible films.

Chapters are arranged in four sections: "Performing Masculinity" includes a discussion of Adam Sandler and movies such as Milk; "Patriarchal Problems" looks at issues of fathers from directors such as Martin Scorsese, Wes Anderson, and David Fincher; "Exceptional Sexualities" examines male love and sex through movies like Brokeback Mountain and Wedding Crashers; and "Facing Race" explores masculinity through race in film. Sean Penn, Jackie Chan, Brad Pitt, Will Smith, and Philip Seymour Hoffman are some of the actors included in these analyses, while themes considered include police thrillers, psychotic killers, gay tensions, fashion sense, and the burgeoning "bromance" genre.

Taken together, the essays in Millennial Masculinity shed light on the high stakes of masculine roles in contemporary American cinema. Film and television scholars as well as readers interested in gender and sexuality in film will appreciate this timely collection.

Timothy Shary's profile page

R. Barton Palmer is Calhoun Lemon Professor of Literature emeritus at Clemson University, where he is the founding director of the World Cinema program. Palmer is the author or editor of more than fifty books on different subjects. He is also the editor of the South Atlantic Review, the Tennessee Williams Annual Review, and, soon, with Constantine Verevis, of World Cinema Traditions (Edinburgh UP). His latest film books are: (with Murray Pomerance), The Many Cinemas of Michael Curtiz (Texas UP) and (with Homer Pettey) French Literature on Screen (Manchester UP).

R. Barton Palmer's profile page

Christopher Sharrett's profile page

Gina Marchetti's profile page

Aaron Taylor's profile page

Caetlin Benson-Allott's profile page

Mike Chopra-Gant's profile page

Melvin Donalson's profile page

Mark Gallagher's profile page

David Greven is professor of English at the University of South Carolina.

David Greven's profile page

Claire Sisco King's profile page

Neal King's profile page

Donna Peberdy's profile page

Chris Robé's profile page

Maria San Filippo is associate professor of media studies at Emerson College.

Maria San Filippo's profile page

"This anthology is a welcomed and incredibly well-edited and researched addition to the area of masculinity studies that indicates that masculinity is but one term imbricated with other markers of identity such as age, sexuality, class, race, and nationalism."?Daniel Keyes, PsycCRITIQUES

"The comprehensive themes of cinema, and its dependence on audience appeal to achieve success, make movies the ideal medium through which we can better understand how men in contemporary culture have been changing."?Timothy Shary

"A successful film anthology hinges upon three characteristics: strong editing, a sharp focus, and articles that substantially contribute to the field. One of the strongest volumes on contemporary cinematic masculinity in years, this anthology compiled by Shary (Clark Univ.) has all three qualities. The collection includes articles on familiar and popular films (Brokeback Mountain, Fight Club), but also unexpected subjects such as Philip Seymour Hoffman, Adam Sandler, and neo-retro heist films. There is not a trivial article in the book. . . . Helpful supplemental materials include a list of US films since 1990 that address masculinity, and an exhaustive bibliography. Summing Up: Highly recommended."?G. R. Butters Jr., Choice Reviews Online

"How do we see affective, political, and sexualized masculinity in recent film? What is at stake in these particularly American representations? Timothy Shary brings together a group of writers who thoughtfully, provocatively, and cogently address these questions. From matters of performance to genre, from violence to 'bromance,' from 'fat studies' to class, and from race and sexual identity to patriarchy's cultural reach, Millennial Masculinity offers important analyses for film and masculinity studies."?David A. Gerstner, Author of Queer Pollen: White Seduction, Black Male Homosexuality and the Cinematic and Manly Arts: Masculinity and Nation in Early American Cinema

"A book for its time in more ways than one, Millennial Masculinity presents the state of the art in feminist-masculinity film criticism. This is a compendium of varied, incisive viewpoints on what made a man, according to American movies, as the twenty-first century began. Here is a valuable addition to stand alongside Wayne State Press's definitive film studies anthologies."?Dennis Bingham, Author of Acting Male: Masculinities in the Films of James Stewart, Jack Nicholson, and Clint Eastwood