Laurier Poetry Pack #3 consists of 10 volumes from the series: Laurier Poetry. Laurier Poetry volumes contained in Laurier Poetry Pack #3: 9780889204904 9780889205147 9781554580477 9780889204898 9781771120388 9780889205062 9781554580071 9781554583676 9781554589951 9781554580385

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Alison Calder’s first poetry collection, Wolf Tree, won two Manitoba Book Awards and was a finalist for both the Gerald Lampert Award and the Pat Lowther Award for Canadian poetry. Her poetry has been published in journals and anthologies, most notably Breathing Fire:Canada’s New Poets and Exposed, and has twice circulated on Winnipeg city buses.She is the editor of Desire Never Leaves: The Poetry of Tim Lilburn (Wilfred Laurier University Press, 2007) and a critical edition of Frederick Philip Grove’s 1924 novel Settlers of the Marsh (Borealis, 2006), and the co-editor of History, Literature, and the Writing of the Canadian Prairies (University of Manitoba Press, 2005).Born in England, Alison Calder grew up in Saskatoon and now lives in Winnipeg, where she teaches Canadian Literature and creative writing at the University of Manitoba.

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Louise H. Forsyth has always loved performance and theatre. As an amateur lover of the stage, she has acted, sung, danced, written, directed, produced, translated, stage managed, served as props manager, and hung out as much as she could as spectator. Woven into an amateur obsession with theatre has been her professional life, where she wrote two theses on the classic French writer of theatrical comedy, Molière, taught courses and supervised theses in theatre, drama, and dramatic literature, wrote scholarly studies about French and Québec playwrights, and theorized about acting and dramatic writing. Her areas of academic specialization are feminist performance and dramaturgy in Québec. Along with her passion for what the women of Québec have written for theatre, she has been engaged for quite some time with developing theories of dramaturgy and acting au féminin, along with revealing the sources of tenacious sexism in the practices and conventions for doing theatre, for studying and evaluating it, and for recounting its history. In short, she has been wondering for quite some time why womenâ??s roles have tended to remain stereotypical in works for stage, TV and film, why theatre done by womenâ??when its perspective is explicitly derived from a womanâ??s point of viewâ??is still easily dismissed with a summary shrug as deserving only condescending scorn, why womenâ??s theatrical experimentation is so rarely discussed by scholars as serious theoretical work or used by them in their own theoretical reflections, and why the silence of critics on women and their richly creative activities has not yet been overcome when it comes to their accounts of theatre history.

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Catherine Hunter's last poetry collection, Latent Heat, won the McNally Robinson Manitoba Book of the Year Award. Four of the poems in St. Boniface Elegies, originally published in Contemporary Verse 2, won the Manitoba Magazine Award for Best Poem or Suite of Poems and earned Honorable Mention in the National Magazine Awards. Her most recent novel, After Light (Signature), spans four generations of an Irish-American-Canadian family in a tale of love, war, trauma, and the power of art, and was a finalist for the Margaret Laurence Award for Fiction, the Carol Shields Winnipeg Book Award, the McNally Robinson Book of the Year Award, the Mary Scorer Award for Best Book by a Manitoba Publisher, and the High Plains Book Award for Best Woman Writer. She has also published several mysteries with Ravenstone/Turnstone, and recorded a spoken word CD (Rush Hour, from Cyclops Press, with a bonus track by The Weakerthans). Her writing has appeared in the literary journals The Malahat Review, Prism International, Essays on Canadian Writing, Matrix, West Coast Line, Prairie Fire, CV2, and Grain, and the anthologies The Echoing Years: Contemporary Poetry from Canada and Ireland; Post Prairie: An Anthology of New Poetry; Best Canadian Poems 2013; Best Canadian Poems 2015; and (forthcoming) Best Canadian Poems 2019. She edited Exposed, an anthology of five new women poets, and Before the First Word: The Poetry of Lorna Crozier, and for ten years she was the editor of The Muses' Company poetry press. Since 1991, she has enjoyed teaching literature and creative writing at the University of Winnipeg.

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Daphne Marlatt, poet, novelist, essayist, oral historian, and Noh dramatist, has been writing and publishing for four decades. Her many titles include Vancouver Poems, Steveston, and most recently, Liquidities: Vancouver Poems Then and Now, as well as the novels Zócalo, Ana Historic, and Taken. Her novelistic long poem The Given received the 2009 Dorothy Livesay Award. She was awarded the George Woodcock Lifetime Achievement Award for her work in 2012.

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Tanis MacDonald is the author of two books of poetry: Fortune (2003) and Holding Ground (2000), and is the winner of the 2003 Bliss Carman Poetry Prize. She has published articles on the poetry of P.K. Page, Lorna Crozier, and Anne Carson. She teaches English at Wilfrid Laurier University in Waterloo, Ontario.

Di Brandt’s poetry titles include questions I asked my mother (1987), Agnes in the sky (1990), Jerusalem, beloved (1995), and most recently, Now You Care (2004). She has received numerous awards for her poetry, including the CAA National Poetry Prize, the McNally Robinson Book of the Year Award, and the Gerald Lampert Award. Di Brandt recently returned to the Manitoba prairies, her home, after a decade away, to take up a Canada Research Chair in Creative Writing at Brandon University.

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Nicole Markotic is a poet, novelist, and critic. Her poetry books include Bent At the Spine (BookThug), Minotaurs & Other Alphabets, and Connect the Dots (Wolsak & Wynn); her novels are Yellow Pages (Fitzhenry & Whiteside) and Scrapbook of My Years as a Zealot (Arsenal Pulp Press). She has edited a collection of poetry by Dennis Cooley, By Word of Mouth, co-edited (with Sally Chivers) an anthology of essays concerning representations of disability, The Problem Body: Projecting Disability on Film, is working on a critical book on disability and literature (McFarland & Co), and has an edited collection of essays on Robert Kroetsch (forthcoming with Guernica). She has published in literary journals in Canada, the USA, Australia, and Europe (including The Capilano Review, CV2, filling Station, New American Writing, Open Letter, Prairie Fire, Rampike, and West Coast Line). She won the bpNichol Poetry Chapbook Award in 1998, and was nominated for the Stephan G. Stephansson Poetry Book of the Year Award and for the Henry Kreisel First Book of the Year Award. She edits the chapbook series, Wrinkle Press (publishing such poets as Robert Kroetsch, Nikki Reimer, and Fred Wah), and has worked as an editor for Red Deer Press and NeWest Press. Currently, Nicole Markotic is Professor of Creative Writing, Children’s Literature, and Disability Studies at the University of Windsor.

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Laura Moss is an associate professor in the Department of English at the University of British Columbia and the former director of the UBC International Canadian Studies Centre. She is the associate editor of the journal Canadian Literature, co-editor (with Cynthia Sugars) of the two volume Canadian Literature in English: Texts and Contexts (2008, 2009), and the editor of Is Canada Postcolonial? Unsettling Canadian Literature (WLU Press, 2003).

Born in 1899 in Quebec City, Francis Reginald (Frank) Scott was a public poet, an accomplished editor and mentor of a generation of writers, an influential professor of constitutional law, and a founding member of the Co-operative Commonwealth Federation (CCF). Emerging as one of the “Montreal Group” of modernist poets of the 1920s, Scott spent the next five decades writing poetry and working to transform both Canadian poetics and politics. With a penchant for satire, Scott’s work is sometimes playful and witty and sometimes gravely concerned with the legacies of political ineptitude and the fragility of both humanity and the environment.

George Elliott Clarke is the inaugural E.J. Pratt Professor of Canadian Literature at the University of Toronto. Named a Trudeau Foundation Fellow in 2005, Clarke is a revered poet, librettist, and novelist. For his collection Execution Poems, he received the Governor General’s Award for Poetry in 2001. His bestselling poetry-novel, Whylah Falls, is a major text in Canadian literature.

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Tom Wayman has published nineteen poetry collections, edited six anthologies of poets writing about their employment, and published three collections of essays on labour arts. He has taught at the post-secondary level in the United States and Canada and co-founded the Vancouver Industrial Writers Union and the Vancouver Centre of the Kootenay School of Writing. Wayman has been the recipient of several significant literary awards over his career, most recently the 2013 Acorn-Plantos Award for People’s Poetry for his book Dirty Snow.

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Leslie C. Sanders is a professor at York University, where she teaches African American and Black Canadian literature. She is the author of The Development of Black Theatre in America, the editor of two volumes of Langston Hughes’s performance works, and a general editor of the Collected Works of Langston Hughes. She has written essays on African American and Black Canadian literature.

Dionne Brand is internationally known for her poetry, fiction, and essays. She has received many awards, notably the Governor General’s Award for Poetry, the Trillium Award (Land to Light On), 1997), the Pat Lowther Award (thirsty, 2005), the City of Toronto Book Award (What We All Long For, 2006), and the Harbourfront Festival Award (2006), given in recognition of her substantial contribution to literature. She is a professor in the School of English and Theatre Studies at the University of Guelph.

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