Award-winning poet Nicole Brossard interrogates the nature of subjectivity and articulates the unsayable, paying close attention to those transitory moments when passions lodge themselves in metaphor. The intimacy of writing and the body speak together here, for to be able to say requires trembling against the grain of the skin. This brilliant new translation by Erin Mour and Robert Majzels makes available in English the original, sparse, and highly evocative fragments of Installations, poems that trace and retrace the spiralling movement of language in its eroticism, its longing, and its excesses.

Nicole Brossard was born in Montréal in 1943. Twice Governor General’s Award winner for her poetry, she has published more than thirty books since 1965. Many have been translated into English: Mauve Desert, The Aerial Letter, Picture Theory, Lovhers, Baroque at Dawn, The Blue Books, Installations, Museum of Bone and Water, Fluid Arguments, Notebook of Roses and Civilization and White Piano. She has co-founded and co-directed the literary magazine La Barre du Jour (1965-1975), co-directed the film Some American Feminists (1976), and co-edited the acclaimed Anthologie de la poésie des femmes au Québec (1991 and 2003).
She is an officer of the Order of Canada, chevalière of the National Order of Quebec, and a member of l’Académie des lettres du Québec. She has twice won the Trois-Rivières International Poetry Festival Grand Prix Québecor (1989 and 1999). In 1991 she was awarded le Prix Athanase-David (the highest literary recognition in Québec). Her work has been widely translated into English and Spanish and is also available in many other languages, including German, Italian, Japanese, Slovenian, Romanian, Norwegian, Catalan, and Portuguese. Two anthologies of her work in English have appeared: Selections: the poetry of Nicole Brossard (2010) and Mobility of Light (2009), with another planned for publication in 2020.
Nicole has been awarded le Prix international de la littérature francophone Benjamin Fondane, le Prix du CIÉF for International Francophone Studies, the W.O. Mitchell Prize, and the Canada Council for the Arts Molson Prize. In 2015, she was included in the dictionary Le Petit Robert des noms propres. In 2018, she was the recipient of the first Violet Prize awarded by the Blue Metropolis Festival. Mauve Desert has been presented as a multidisciplinary creation in 2018 and is slated for an opera adaptation in 2020-21.
In 2019, an anthology of her poetry in Portuguese and a translation of Mauve Desert in Catalan will be published. Her most recent book in English is an art chapbook titled A Cappella with illustrations by Mauricio Corteletti, translated by Erín Moure and Robert Majzels.

Nicole Brossard's profile page

Erin Mouré is an award-winning poet (Governor General's, QSPELL) with ten published collections to her credit. Her work has appeared in every major Canadian literary journal as well as several American publications.

Erin MourZ's profile page

Robert Majzels, author of Apikoros Sleuth and City of Forgetting (Mercury), is a Montreal-born prose writer, playwright, translator and teacher; his first novel, Hellman’s Scrapbook (Cormorant), was hailed and acclaimed. His play This Night the Kapo won first prize in the Dorothy Silver Competition and the Canadian Jewish Playwriting Competition. In 1991, his fiction was featured in Coming Attractions (Oberon); his translations include Anne Dandurand’s Small Souls Under Siege (Cormorant) and The Waiting Room (The Mercury Press), and France Daigle’s 1953 (House of Anansi). He has also translated several novels by France Daigle, short stories by Anne Dandurand and, with Erin Mouré, two books of poetry by Nicole Brossard. Robert Majzels lives in Quebec.

Robert Majzels' profile page