Presents three generations of German, French, and Anglo-American thinking on the Hegelian narrative of desire, recognition, and alienation in life, labor, and language.

This book presents three generations of German, French, and Anglo-American thinking on the Hegelian narrative of desire, recognition, and alienation in life, labor, and language-a narrative that has been subject to extensive commentary in philosophy, literature, psychoanalysis, and feminist thought. The texts focus on a central topos in Western thought, the story of self-consciousness awakened in nature and in history. John O'Neill argues that current postmodern rejections of the Hegelian-Marxist narrative demand an understanding of the texts included here. Without Hegel and Marx in our toolbox, he argues, we will flounder in a world marked by the split between postmodern indifference and premodern passion.

The book makes a strong selection from the history of Hegelian-Marxist debate, hermeneutical and critical theory, and Freudian/Lacanian and feminist commentary on the dialectic of desire and recognition, on the levels of social psychology and political economy. Included are articles by Karl Marx, G. W. F. Hegel, Alexandre Kojève, Jean Hyppolite, Jean-Paul Sarte, Georg Lukács, Jürgen Habermas, Hans-Georg Gadamer, Howard Adelman, Shlomo Avineri, Jessica Benjamin, Edward S. Casey and J. Melvin Woody, Henry S. Harris, George Armstrong Kelly, Ludwig Siep, Judith N. Shklar, and Henry Sussman. The texts and commentaries show how the Hegelian-Maxist narrative of desire, recognition, and alienation is a contested story, one in which class, race, and gender issues are drawn into a historical romance that is being rewritten in contemporary cultural politics.

John O'Neill is the author of the novel Fatal Light Awareness and four poetry collections, Animal Walk, Love in Alaska, The Photographer of Wolves, and Criminal Mountains. He was raised in Scarborough, Ontario, where his parents worked for many years as building superintendents, an aspect of his history explored in The Photographer of Wolves. He was a winner in the Prairie Fire Long Poem Contest and Sheldon Currie Fiction Prize, and the recipient of a 'Maggie' - a Manitoba Magazine Award - for Best Story for his "The Book About The Bear." John was a finalist, with his manuscript Goth Girls of Banff (Newest Press 2020), for the HarperCollins/UBC Prize for Best New Fiction. He taught high-school English and Dramatic Arts for 29 years, and now lives and writes in the Leslieville neighbourhood of Toronto. He and his artist wife Ann make frequent trips to Canada's Rocky Mountains, and this landscape continues to be a major influence on his writing.

John O'Neill's profile page

"For anyone interested in Hegel and Hegel's influence on subsequent Continental Philosophy it would be difficult to imagine a more interesting set of articles. Most of the articles in this anthology are 'classics.' Its publication will further the study of Hegel considerably." — Tony Smith, Iowa State University