Philip Resnick’s Footsteps of the Past constitutes a powerful set of reflections on the modern human condition. The book contains poems dealing with memory, recognition, and the slow passage of time, while others meditate on the deep wounds that chronic illness and disability instill. Some of the poems have a critical political edge, while others probe the cultural and philosophical underpinnings of our modern identities with cool detachment and unrelenting honesty. For inspiration, Resnick draws on Sophocles, Thucydides, Montesquieu, and, from our own day, Thomas Piketty and Charles Taylor. There is also a shout-out to “Je suis Charlie.” Always in these poems one senses a longing for a previous, perhaps mythical, time when the future opened the possibility of a world of ideals. For the reader, this book will resonate in quite unpredictable ways, much like the ferry of the mind whose voyage the author invokes. Bare-knuckled imagery, intellectual inquisitiveness, and a kaleidoscope of themes mark Footsteps of the Past as a strikingly original poetry collection.

Philip Resnick began writing poetry in Montreal, stopping for a time when he embarked on an academic career at the University of British Columbia. His marriage to Andromache (Mahie), who was Greek, resulted in numerous stays in Thessaly, in the city of Volos, and in a village on adjacent Mount Pelion. These stays rekindled his poetic inspiration and resulted in the publication of a number of collections in the late 1970s and 1980s. Philip has continued to write ever since and has published numerous poems in magazines and journals, as well as a 2015 collection Footsteps of the Past and 2018 collection Passageways. As a political scientist at the University of British Columbia for over forty years until his retirement in 2013, Philip has published widely on political topics. He makes his home in Vancouver, British Columbia.

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