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Poetry Lgbt

Cephalopography 2.0

by (author) Rasiqra Revulva

Wolsak and Wynn Publishers Ltd
Initial publish date
Aug 2020
LGBT, Women Authors, Nature
  • Paperback / softback

    Publish Date
    Aug 2020
    List Price

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Cephalopography 2.0 is as much a passionate celebration of cephalopods in all their plurality and finery as it is a collection of poems exploring human identity and experience through the lens of these marine animals. Through experimental takes on traditional poetic forms such as ghazals, tankas and cinquains, as well as more contemporary forms, Rasiqra Revulva delves into ecopoetics and marine biology, creating unique and beautifully composed poems. Cephalopography 2.0 plunges into the depths of human experience to pull out diverse perspectives of how cephalopods and humanity are linked together in ways that stretch beyond the land and the sea.

About the author

Rasiqra Revulva is a queer femme writer, multimedia artist, editor, musician, performer and SciComm advocate. She is an editor of the climate crisis anthology Watch Your Head: A Call to Action, and one half of the experimental electronic duo The Databats (Slice Records, Melbourne; Toronto). She has published two chapbooks of glitch-illustrated poetry: Cephalopography (words(on)pages press, 2016) and If You Forget the Whipped Cream, You're No Good As A Woman (Gap Riot Press, 2018). Cephalopography 2.0 is her debut collection. Learn more at @rasiqra_revulva, @thedatabats and


Rasiqra Revulva's profile page


  • Long-listed, Laurel Prize

Editorial Reviews

"Never has poetry felt so much like a marine biology-themed museum-cum-amusement park as it does in Rasqira Revulva's exuberant, endlessly clever Cephalopography 2.0."

"Rife with drawings, computer-generated illustrations and texts, puzzles, prayer, visual poems and a variety of writing forms, the work in Cephalopography 2.0 is energetic and wonderfully playful, vibrant and performative."

rob mclennan's blog

"Rasiqra Revulva's work is a feast for so many senses that I felt reading these transcripts in a text was at least one of the necessary ways I could engage her multiple energies."

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