This story with its shocking expose of social evils, holds a forceful message for both sexes. Its strange mixture of power, tension and torment mark it as a human story that will thrill and grip all readers. Down in the depths of the city, washed by the murky waters of the dock-yards lies Skidrow, a dark den of intrigue and mystery, whose crumbling structures harbour the outcasts of the city.—From the 1950 edition
Hugh Garner’s second novel, Waste No Tears, hit drug store and train station spinner racks in July of 1950—then disappeared, never to see print again… until now. This is the latest release from Ricochet Books, a series of vintage noir mysteries edited by Brian Busby. The book's introduction, by Amy Lavender Harris, appears below.
Toronto the Good—the straitlaced “City of Churches” where public drinking was prohibited and playground swings padlocked on Sundays—receives a far darker rendering in Hugh Garner’s Waste No Tears, a novel set in the bars, bedrooms and abortion clinics of Toronto’s skid row district. Pitched as “The Novel about the Abortion Racket,” Waste No Tears peels back the city’s thin veneer of respectable civility to reveal a far seamier underside—albeit one with its own covert morality.
First published in 1 …
Recently, I was visiting a friend. It was getting late in the day and she offered to make us dinner.
"What would you like to eat?" she asked.
"Whatever you put in front of me," I replied.
The same can be said of my gig as Host at Canadian Bookshelf, the foreknowledge that my reading interests are going to expand in ways I can't begin to imagine, and that's just how I like it.
Case in point, I was thrilled when McGill-Queen's University Press responded to our initial call for author interviews with the suggestion that I might like to chat with Brian Busby, curator of The Dusty Bookcase: A Very Casual Exploration of the Dominion's Suppressed, Ignored and Forgotten and author of Character Parts: Who's Really Who in CanLit and A Gentleman of Pleasure: One Life of John Glassco, Poet, Translator, Memoirist and Pornographer. The more I read, the more I thought, "I can't wait to see what ends up on my plate."
Julie Wilson: In a recent interview with Trevor Cole about his podcast performance archive AuthorsAloud, I asked if he had a compulsion to both collect the voices he curates for the project. There's a pride in having all those recordings in one place and it serves a unique purpose by housing short readings by Canadian poets and fiction writers. Your blog—The …