what’s left, a book in six related sections, presents us with cues and clues to the poet’s compositional strategies. The first section, “hazelnut,” measures time as the unfolding life of space. It alludes to mclennan’s long-term genealogy project, in which he discovers traces of the Sumerian flood, Etruscans, Icelanders, and Robert the Bruce hidden in “Indian Lands,” waiting to be discovered like “gilded coffins in Egypt, undisturbed, as yet,” along with other “‘ancient’ remains, now ‘decades-old,’” of our more recent, cash-crop culture. This hopeful search for a unified thread of narrative continuity in our shared physical landscape is undermined by the road-poems of the book’s second section, “interim report,” where the poet finds himself “somewhere between love and madness,” only to discover in the third section that the pursuit of a collective historical voice might well be merely a search for a little white li(n)e.

Section four, “cooley’s key,” shifts the identity/narrative search from the “other” to the “self,” with an ironic platonic toss of the active body in favour of its passive intentions: “‘he says in the old days, eh, all / they cared abt was sex & grades, eh, but now / all they care abt is grades … where / has the ambition gone.” Section five, “paisley,” dead-ends in an artfully constructed fractal barrage of global nostalgia: a series of endlessly over- and under-stated images of idealized neighbourhoods where lawns are cut with mullets and relationships are cut into periodic tables by intrusive punctuation. Finally in section six, we find “what’s left: coda,” a return to the particulars of the poet’s “territory”: not a “mighty oak from a tiny acorn grown,” but a hazelnut thicket in which a multiplicity of voices is heard.

Born in Ottawa in 1970 at the late lamented Grace Hospital on Wellington Street near Parkdale Avenue, rob mclennan currently lives in directly between Ottawa`s Chinatown and Little Italy neighbourhoods, and was called "Centretown`s poet laureate" by David Gladstone in The Centretown Buzz in the mid-1990s. The author of twelve previous trade poetry collections in Canada and England, he has published poetry, fiction, interviews, reviews and columns in over two hundred publications in fourteen countries and in four languages, and done reading tours in five countries on two continents. The editor/publisher of above/ground press and the long poem magazine STANZAS (both founded in 1993), the online critical journal Poetics.ca (with Ottawa poet Stephen Brockwell) and the Ottawa poetry annual ottawater (ottawater.com), he edits the ongoing Cauldron Books series through Broken Jaw Press, edited the anthologies Evergreen: six new poets (Black Moss Press), side/lines: a new canadian poetics (Insomniac Press), GROUNDSWELL: the best of above/ground press, 1993-2003 (Broken Jaw Press) and Decalogue: ten Ottawa poets (Chaudiere Books), and runs the semi-annual ottawa small press book fair, which he co-founded in 1994, currently under the umbrella of the small press action network - ottawa (span-o), which he also runs. Fall 2007 sees the appearance of a new poetry collection with Ireland`s Salmon Publishing, a collection of literary essays appears with Toronto`s ECW Press, and a title for Vancouver publisher Arsenal Pulp Press, Ottawa: The Unknown City. His online home is at www.track0.com/rob_mclennan, and he often posts reviews, essays, rants and other nonsense at www.robmclennan.blogspot.com.

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“mclennan works with a genuine verbal invention and his cultural ephemera laid out in pastiche make a strong impression.”— University of Toronto Quarterly