Centred on the everyday, and crafted without preamble or pretension, the poems in Without Ceremony are a literary pastiche— a thematic mosaic not unlike tracks on an album. Amidst a timeless cast of characters from Lucretius and Eva Hesse to Joan Mitchell and St. Augustine, Carr illuminates what it means to truly know something and questions how certain knowledge becomes valued over others. Without Ceremony spotlights the gendered division of ideas and the inherent strength of language to harm and oppress, as well as elevate. Within these pages, passing encounters become rare spectacles, and the ordinary, without ambitions of grandeur or ceremony, is celebrated, making Carr’s new collection a clarifying elixir for our time.

Poet and translator Angela Carr is the author of two poetry collections, most recently The Rose Concordance (2009), and several chapbooks, including Risk Accretions. Selections from her new work in progress, Here in There, have recently appeared in New American Writing, The Lana Turner Journal of Poetry and Opinion, and Canada and Beyond: A Journal of Canadian Literary and Cultural Studies. She has published and performed her work internationally. A doctoral student in Comparative Literary and Media Studies at the University of Montreal, Angela currently divides her time between Montreal and New York City. 

Angela Carr's profile page

"Carr’s poems in this new collection have such a sense of being composed across great distances, written across large canvases and stretched out as far as possible. They might hold to small moments and points, but are, one might say, bigger on the inside. Her poems, from point to point, are able to cover vast and incredible distances." —rob mclennan

"Carr’s poems in this new collection have such a sense of being composed across great distances, written across large canvases and stretched out as far as possible. They might hold to small moments and points, but are, one might say, bigger on the inside. Her poems, from point to point, are able to cover vast and incredible distances." —rob mclennan

"Carr’s poems in this new collection have such a sense of being composed across great distances, written across large canvases and stretched out as far as possible. They might hold to small moments and points, but are, one might say, bigger on the inside. Her poems, from point to point, are able to cover vast and incredible distances." —rob mclennan

"Without Ceremony offers mostly poetic series that combine powerful imagery with essayistic philosophy and memoir-like storytelling. Carr combines all these differing modes and disparate topics with ease and glamour." —Winnipeg Free Press

“Angela Carr’s words in Without Ceremony point their arrows toward a ledge where communication knows “both failure and perfection at once.” Her poetry isn’t invested in naming things (perhaps this is what is unceremonious) because things, even thingness, and their energies change so rapidly. Carr creates a field of verb-rich arriving where confessional exasperations are tried and transformed in pleasurable abstraction. She summons other women poets and artists (Hesse, Dickinson, Mitchell) not to revere them but to create a queer chorus of those who can bring us to see that what seems holy is simply ordinary.” —Stacy Szymaszek, author of A Year From Today

“Angela Carr’s poems spark a startling immediacy directly to the heart of everyday encounters and how poems form “under the moment of language.” Her work gives us the rare and complex gift of how to move out of the house of regret amidst the instability of the contemporary. Here in Without Ceremony are interior conversations with the likes of Lucretius, Dickinson, Moorman, that show how readers become writers and how words feel when put on us by others, which ones we choose to wear, which to strip off. Let Without Ceremony become one of those books “that are familiar as friends,” always present to puncture through the space of the day to the intimacy we need to construct joy, a holding area for the moving moment.” —Lee Ann Brown, author of Other Archer

“Angela Carr’s poems spark a startling immediacy directly to the heart of everyday encounters and how poems form “under the moment of language.” Her work gives us the rare and complex gift of how to move out of the house of regret amidst the instability of the contemporary. Here in Without Ceremony are interior conversations with the likes of Lucretius, Dickinson, Moorman, that show how readers become writers and how words feel when put on us by others, which ones we choose to wear, which to strip off. Let Without Ceremony become one of those books “that are familiar as friends,” always present to puncture through the space of the day to the intimacy we need to construct joy, a holding area for the moving moment.” —Lee Ann Brown, author of Other Archer

“Angela Carr’s words in Without Ceremony point their arrows toward a ledge where communication knows “both failure and perfection at once.” Her poetry isn’t invested in naming things (perhaps this is what is unceremonious) because things, even thingness, and their energies change so rapidly. Carr creates a field of verb-rich arriving where confessional exasperations are tried and transformed in pleasurable abstraction. She summons other women poets and artists (Hesse, Dickinson, Mitchell) not to revere them but to create a queer chorus of those who can bring us to see that what seems holy is simply ordinary.” —Stacy Szymaszek, author of A Year From Today