In British Columbia's remote and exotic Cariboo Plateau, "Everything is slow. Everything is happening at the same speed, which is no speed at all." Harold Rhenisch has spent eleven years watching birds every day from his house on the shore of 108 Lake—at this speed, but you wouldn’t know it from reading Winging Home. Known as "one of Canada's master prose stylists," Rhenisch dissects avian behaviour with the ear of a poet and the mouth of a stand-up comedian. His blackbirds are a jug band in full flight, his robins drunken bachelors on a jag, and his eagles decrepit, stumblebum scavengers.

With lively illustrations by noted bird artist Tom Godin, Winging Home: A Palette of Birds is more than just writing about the natural world. It is a lyrical, evocative memoir of life in the Cariboo that crackles with humorous, often startling observations of birds and men set amidst the wild beauty of British Columbia.

Harold Rhenisch is an award-winning poet, critic, and cultural commentator. His awards include the Confederation Poetry Prize in 1991 and the BC #38: Yukon Community Newspapers Association Award for Best Arts and Culture Writing in 1996. He is a seven-time runner-up for the CBC/Tilden/Saturday Night Literary Contest. In 2005, he won the ARC Magazine Critics Desk Award for best long poetry review and the Malahat Review Long Poem Prize for "Abandon." He won this prize again in 2007 for "The Bone Yard." His non-fiction book Tom Thomson's Shack was short-listed for two BC Book Prizes in 2000. For its sequel, The Wolves at Evelyn, he won the 2007 George Ryga Award for Social Responsibility in Literature. He is the author of 32 books of poetry, fiction, biography and essays and choreographed Richard Rathwell’s Human Nation for the paper stage. Along with the Norwegian Olav Hauge, he is one of the two poets in the world who learned to write and edit poems by pruning fruit trees, an experience documented in his The Tree Whisperer (Gaspereau, 2021). A direct heir of Bertolt Brecht’s theater, through the dissident playwright and novelist Stefan Schütz, whose radio play Peyote he translated and published, he has invented a theatrical set of cross-genre literary interventions. He has secretly edited and mentored over a hundred writers in the hinterlands of Canada unserved by its university and publishing system and is currently writing a transcultural natural history curriculum and a history of British Columbia centred in the Indian Wars of the American West.

Harold Rhenisch's profile page

Even non-birders might enjoy this lovely meditation, while those of use who like to watch will be quietly thrilled. —Georgia Straight