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Poetry Canadian

We Wasn't Pals

Canadian Poetry and Prose of the First World War

edited by Barry Callaghan & Bruce Meyer

afterword by Margaret Atwood

Publisher
Exile Editions
Initial publish date
Nov 2001
Category
Canadian
  • Paperback / softback

    ISBN
    9781550966428
    Publish Date
    Nov 2001
    List Price
    $24.95
  • Paperback / softback

    ISBN
    9781550963151
    Publish Date
    Sep 2014
    List Price
    $18.95

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Where to buy it

Out of print

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Description

Ignored by critics and readers of the time, these poems were written by Canadians who witnessed the horror of World War I first-hand, forming an anthology in which the forgotten experiences of a decade are finally remembered.

About the authors

BARRY CALLAGHAN founded the internationally celebrated literary quarterly, Exile, and imprint, Exile Editions, while he was a war correspondent in the Middle East and Africa in the 1970s. He is a novelist, poet and journalist and his work has been much anthologized. His numerous awards include Toronto’s One Hundred Outstanding Citizens Award, the inaugural W. Mitchell Award and the Foundation For The Advancement of Canadian Letters Award for Fiction which he was honoured with twice.

Barry Callaghan's profile page

Bruce Meyer was born in Toronto in 1957 and has lived in Toronto, Hamilton, London, Dublin, and Windsor. Hereceived his B.A. and M.A. in English at the University of Toronto. After completing his Masters, he lived in England where traveled and interviewed British poets in preparation for his doctoral thesis. He received his Ph.D. at McMaster University. From 1988 to 1990, he held a Social Sciences and Humanities Research Post-Doctoral Fellowship in Canadian and Modern British Literature at McMaster University. He has taught at the University of Toronto, McMaster University, the University of Windsor, Seneca College at York, Seneca College, Skidmore College, Athol Murray College of Notre Dame, and was Visiting Writer/Writer-in-Residence at the University of Southern Mississippi and the University of Texas at Austin. Since 2003 when he made the decision to return to his first love, teaching, he has taught the Great Books in his current work as professor of English in the Laurentian University B.A. Program at Georgian College in Barrie and Orillia, and as a professor of Continuing Education at St. Michael’s College at the University of Toronto.

            From 1996 to 2003, he was Director of the Writing and Literature Program at the University of Toronto School of Continuing Studies where he created and managed programs in Creative Writing, Professional Writing and Literary Studies. In 2000, he gave the annual Whidden Lecture at McMaster University, a distinction previously bestowed on Robert J. Oppenheimer, Hans Selye, Tom Stoppoard and Bruno Bettelheim. He is currently Artistic Director of the annual Leacock Summer Festival of Canadian Literature in Orillia, Ontario. A frequent broadcaster on CBC Radio One, his conversations, The Great Books (three volumes), A Novel Idea, andGreat Poetry: Poetry is Life and Vice Versa with Michael Enright are the network’s best-selling audiocassette and cd spoken word series. He has also been a regular literary personality on TV Ontario’s More to Life.

            In addition to his teaching and broadcasting activities, Meyer has published twenty-seven books of poetry, fiction, non-fiction, textbooks and anthologies, and critical monographs. His poetry collections are The Open Room (1989), Radio Silence (1991), The Presence (1996), Anywhere (2000), The Spirit Bride (2002), Oceans (2004), and As Yet, Untitled…(2006), and he has published three poetry chapbooks, The Tongues Between Us (1981), The Aging of America (1982), and with James Deahl and Gilda Mekler, Steel Valley (1984). He has published two collections of short fiction: Goodbye Mr. Spalding (1996) and Flights (2005). With Barry Callaghan, he co-edited The Selected Poems of Frank Prewett (1997 and 2001), and the first anthology of World War One Canadian writing to be published since 1918, We Wasn’t Pals: Canadian Poetry and Prose of the First World War (2001). With Jonathan Barron, he co-edited The Dictionary of Literary Biography, Volume 282: The New Formalism (2005), and with Carolyn Meyer he co-edited The Reader: Contemporary Essays and Essay Strategies (2004) and Separate Islands: Contemporary British and Irish Poetry (1988). His other works include two volumes of interviews with Canadian writers co-authored with Brian O’Riordan, In Their Words: Interviews with Fourteen Canadian Writers (1985) and Lives and Works: Canadian Authors in Conversation (1991).  With James Deahl, he co-edited the first edition of Poetry Markets for Canadians  (1984). His other works include Arrivals: Canadian Poetry (1986), The Bae Sah Moh Anthology: Young Korean Canadian Writers (2007), and an edition of James Hanley’s The German Prisoner (2007).

            He has contributed to numerous scholarly reference volumes including The Oxford Companion to Canadian Literature (1983, 1997), The Oxford Companion to Twentieth Century Poetry (1996), Contemporary Poets (1993), Literature in English (1996), and Poetry for Students (1997, 1998, 1999). He has worked as an editor for Descant, Quarry, Cross-Canada Writers’ Quarterly, Poetry Canada Review, Argo (UK), The Greenfield Review (US), Edge City Review (US), The University of Toronto Review, and Acta Victoriana.

            Meyer has won several prizes for his writing including the E.J. Pratt Gold Medal and Prize for Poetry (1980, 1981), the Alta Lind Cook Award for Writing (1981, 1982), the Ruth Cable Memorial Prize (1996), the Word Press Prize (2004), the Daesan Foundation International Prize for Translation (2006) and was a finalist for the Bridport Prize (2005), the Gerald Lampert Award (1989) and the T.S. Eliot Prize for Poetry (2000). His work as bibliographer for the website for the CBC’s Canada: A People’s History was part of the Baedeck Award-winning package for the best educational website. He was recipient of a Toronto Arts Council Award (2006) and an Ontario Arts Council Works-in-Progress Grant (2005), as well as numerous Ontario Arts Council Writers’ Reserve Grants. During his doctoral work he was a recipient of the Ontario Graduate Fellowship, the Social Sciences and Humanities Research Council of Canada Doctoral Fellowship, the McMaster University Graduate Fellowship, and the McMaster University Graduate Travel Fellowship. He is one of only two living Torontonians to be quoted on a Heritage Toronto marker, that to mark the site of the city’s first baseball stadium, Sunlight Park. In 1997, he received an honorary lifetime donor’s pass to the Baseball Hall of Fame and Museum in Cooperstown, New York.

            He lives in Toronto with his wife Kerry and daughter Katie.

Bruce Meyer's profile page


Margaret Atwood was born in 1939 in Ottawa and grew up in northern Ontario, Quebec, and Toronto. She received her undergraduate degree from Victoria College at the University of Toronto and her master's degree from Radcliffe College.
Throughout her writing career, Margaret Atwood has received numerous awards and honourary degrees. She is the author of more than fifty volumes of poetry, children’s literature, fiction, and non-fiction and is perhaps best known for her novels, which include The Edible Woman (1970), The Handmaid's Tale (1983), The Robber Bride (1994), Alias Grace (1996), and The Blind Assassin, which won the prestigious Booker Prize in 2000. Atwood's dystopic novel, Oryx and Crake, was published in 2003. The Tent (mini-fictions) and Moral Disorder (short stories) both appeared in 2006. Her most recent volume of poetry, The Door, was published in 2007. Her non-fiction book, Payback: Debt and the Shadow Side of Wealth, part of the Massey Lecture series, appeared in 2008, and her most recent novel, The Year of the Flood, in the autumn of 2009. Ms. Atwood's work has been published in more than forty languages, including Farsi, Japanese, Turkish, Finnish, Korean, Icelandic and Estonian. In 2004 she co-invented the Long Pen TM.
Margaret Atwood currently lives in Toronto with writer Graeme Gibson. 

Margaret Atwood's profile page

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