Fiction Anthologies (multiple Authors)
Untying The Apron
Daughters Remember Mothers of The 1950s
- Publisher
- Guernica Editions
- Initial publish date
- Mar 2013
- Category
- Anthologies (multiple authors), Biographical, Contemporary Women
-
Paperback / softback
- ISBN
- 9781550717297
- Publish Date
- Mar 2013
- List Price
- $25.00
Classroom Resources
Where to buy it
Description
Mothers of the 1950s were wasp-waisted, dutiful, serene, and tied to the kitchen with apron strings. Or so we thought. This collection of searing and startling poetry and prose unties the stereotype and reveals women who were strong, wild, talented, wise, mad, creative, desperate, angry, courageous, bitter, tenacious, reckless and beautiful, sometimes all at once. The contributors include multi-award-winning poets, novelists, and essayists, as well as compelling new literary voices.
About the author
Lorri Neilsen Glenn's most recent book is Following the River: Traces of Red River Women (Wolsak and Wynn), an award-winning work about her Ininiwak and Métis grandmothers and their contemporaries. Lorri is the author and contributing editor of fourteen titles of nonfiction and poetry, former Halifax Poet Laureate, and Professor Emerita at Mount Saint Vincent University. An award-winning teacher and researcher, Lorri has served on juries for the Canada Council, CBC literary awards and numerous provincial and national book prizes. Neilsen Glenn's poetry has been adapted several times for libretti and her essays and poems appear in numerous anthologies and literary journals.? She was a recipient of Halifax's Women of Excellence award, has had appointments as Writer in Residence across Canada and served as President of the Writers' Federation of Nova Scotia. Lorri has mentored writers across Canada and in Ireland, New Zealand, Australia, Greece and Chile.
She divides her time between Halifax and Rose Bay, Nova Scotia.
Editorial Reviews
Reading the anthology is a consciousness-raising exercise. The details make the writing good and true. The commonalities of experience make it political.
Malahat Review