This is what comes of taking dreams / off the horizon. It is the sun / or nothing else, you would scream / if you weren't caught up in the chorus.

Leaning deliberately on the imagined while scrutinizing reality and hoping for the as-yet-unseen, Unmet is a poetry collection that explores themes of frustration, justice, and thwarted rescue from a perspective that is Black-Latinx, Canadian, immigrant, and female. Drawing on a wide range of poetics, from Wallace Stevens to Tony Hoagland and Diane Seuss, roberts's musically-driven narrative surrealism confronts such timely issues as police brutality, respectability politics, intimate partner, and ecological crisis, and considers the might-have-been alongside the what could be, negotiating the past without losing hope for the future.

A citizen of Canada, Panama, and the United States, stephanie roberts is the prize-winning author of The Melting Potential of Fire. roberts is based in Quebec.

stephanie roberts' profile page

Praise for Unmet

"Restless, unsatisfied, deeply felt, and vividly accomplished, Unmet crackles with striking lines and images. Like the book's title, these poems document divisive experience with forceful aspiration, remaining defiant in the face of complacency and injustice. Personal and political, this book is a journey and a love affair. Through shorter lyrics and remarkable sustained poems like 'Soup,' 'I Taste Good and Bad,' or the tour de réflexion of 'A Lefthanded Scissors for Paul McCartney,' Unmet's rich language passionately argues for a 'tower of honest affection.' It's a feat that requires poise, and roberts is up for the task, nimbly travelling a hair-raising wire between desolation and beauty."
—David O'Meara, author of Masses on Radar

"In this rich collection of poetry, stephanie roberts gets us to open up as to what the core of our emotions are telling us; in fact, she gets to what the evidence before us would have us conclude. She points with deliciously layered language to the brutality, absurdity and hypocrisy of the systems of society and to our collective and historical inheritances. We are enticed and entrapped by her fluid writing, cutting in all the right places, daring us to wake up to the reality that surrounds. stephanie roberts operates as a disruptor with this effective collection that points to the times in which we live."
—Leslie Roach, author of Finish This Sentence

Praise for rushes from the river of disappointment

“roberts speaks with clarity and certainty, in a firm and haunting voice. This is an author clearly driven by a need to articulate what is missed. She is unafraid to end a poem abruptly and to let the quiet that follows do some of the speaking. She's also clearly having fun—with physics, with form, with the second grammar of the line break, and with memories joyous and shocking and neither and both.”
—Quebec Writers’ Federation A.M. Klein Award jury

“This collection enchanted me—smart, thoughtful, inventive, unafraid, poignant, and engaging, these poems are spot on. How lucky are we in this heartbreaking world to have roberts’ compelling voice of beauty, humor, and depth allowing us to dip our toes in this exquisite river of poems.”
—Kelli Russell Agodon, author of Hourglass Museum

“A moving and poignant book of poetry, in which roberts exhibits tremendous range in both form and tone. Easily one of the finest poetry titles out this spring.”
—Annick MacAskill, author Murmurations

“A sweeping force of music, pulsing images, clear wit, and tenderness. Within beautifully formed poems, there is extensive consideration of what we can understand about love and grief alongside faith and ‘unbelief’ over time.”
—Montreal Review of Books