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Poetry Canadian

Two Minds

by (author) Harold Rhenisch

Publisher
Frontenac House
Initial publish date
Sep 2015
Category
Canadian
  • Paperback / softback

    ISBN
    9781927823361
    Publish Date
    Sep 2015
    List Price
    $15.95

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Description

Two Minds is a collection of ghazals, the persian song form transformed into a meditative practice in playful alternative logics by John Thompson, Phyllis Webb and Robert Bly. Each of these poems not only is of two minds about the state of the world, but actually has two minds, one of which Harold gives away to his readers in each poem, and one which holds it up like a mask. Each poem, formed of a different vortex of history, society, philosophy, art, the sea and the earth, is a different mind. Harold worked on many of these poems for over thirty years. Through many incarnations, they have been purified to joy, freshness and wonder. Two Minds is about the world making minds and giving them to its readers, poem by poem by poem.

About the author

Harold Rhenisch is an award-winning poet, critic, and cultural commentator. His awards include the Confederation Poetry Prize in 1991 and the BC #38: Yukon Community Newspapers Association Award for Best Arts and Culture Writing in 1996. He is a seven-time runner-up for the CBC/Tilden/Saturday Night Literary Contest. In 2005, he won the ARC Magazine Critics Desk Award for best long poetry review and the Malahat Review Long Poem Prize for "Abandon." He won this prize again in 2007 for "The Bone Yard." His non-fiction book Tom Thomson's Shack was short-listed for two BC Book Prizes in 2000. For its sequel, The Wolves at Evelyn, he won the 2007 George Ryga Award for Social Responsibility in Literature. He is the author of 32 books of poetry, fiction, biography and essays and choreographed Richard Rathwell’s Human Nation for the paper stage. Along with the Norwegian Olav Hauge, he is one of the two poets in the world who learned to write and edit poems by pruning fruit trees, an experience documented in his The Tree Whisperer (Gaspereau, 2021). A direct heir of Bertolt Brecht’s theater, through the dissident playwright and novelist Stefan Schütz, whose radio play Peyote he translated and published, he has invented a theatrical set of cross-genre literary interventions. He has secretly edited and mentored over a hundred writers in the hinterlands of Canada unserved by its university and publishing system and is currently writing a transcultural natural history curriculum and a history of British Columbia centred in the Indian Wars of the American West.

Harold Rhenisch's profile page