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Fiction Feminist

This is what happens

by (author) chris wind

Publisher
Magenta
Initial publish date
May 2020
Category
Feminist, Contemporary Women, Literary
  • eBook

    ISBN
    9781926891767
    Publish Date
    May 2020
    List Price
    $4.99
  • Paperback / softback

    ISBN
    9781926891743
    Publish Date
    May 2020
    List Price
    $14.99

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Description

How is it that the girl who got the top marks in high school ends up, at fifty, scrubbing floors and cleaning toilets for minimum wage, living in a room above Vera’s Hairstyling, in a god-forsaken town called Powassan?

Feminist theorist Dale Spender wrote, in Women of Ideas and What Men Have Done to Them, “We need to know how women disappear….” Although Spender spoke of women who disappear from the historical record, all too many women seem to disappear from any sort of public life as soon as they leave high school: so many shine there, but once they graduate, they become invisible. What happens?

Marriage and kids is an inadequate answer because married-with-kids straight-A boys (of which, let’s acknowledge, there are fewer) are visible. Everywhere. Even the straight-B boys are out there. So what happens?

Tracing the life of one woman through three juxtaposed voices—the fresh, impassioned protagonist speaking through her journals from the age of fifteen; the sarcastic, now-fifty protagonist commenting about the events of her life, occasionally speaking to her younger self; and the dispassionate narrator—the novel will resonate most with older women, but it is younger women, and men, who most need to read it. Because this is what happens.

"An incisive reflection on how social forces constrain women’s lives. … Great for fans of Sylvia Plath, Doris Lessing’s The Golden Notebook." Booklife/Publishers' Weekly

About the author

Contributor Notes

chris wind is the author of This is what happens, dreaming of kaleidoscopes, Satellites Out of Orbit (containing Thus Saith Eve, UnMythed, Deare Sister, Soliloquies: the lady doth indeed protest, and Snow White Gets Her Say), Paintings and Sculptures, Particivision and other Stories, and Excerpts.

Her prose and poetry has appeared in numerous journals and magazines, including The Antigonish Review, Ariel, Atlantis, Bogg, Canadian Author and Bookman, Canadian Woman Studies, Contemporary Verse 2, The Copperfield Review, event, Existere, (f.)Lip, grain, Herizons, Herstoria, The Humanist, The New Quarterly, Other Voices, Poetry Toronto, Prism International, Rampike, Shard, The University of Toronto Review, The Wascana Review, Waves, Whetstone, White Wall Review, and Women's Education des femmes, as well as several anthologies, including Contemporary Monologues for Young Women, Clever Cats, Visions of Poesy, and Going for Coffee, and her stories have been read on CBC Radio.

Her theatrical work has been performed in Canada, the US, and the UK.

She has been awarded sixteen Ontario Arts Council grants..
chriswind.net and chriswind.com

 

Excerpt: This is what happens (by (author) chris wind)

1

As soon as she opened the back door of the cabin—the cottage, she corrected herself—she looked right through it, through the wall-sized windows, to the lake. To the bright sun sparkling on the dark water, circled by a wilderness of trees. Yes. Yes. Her whole body, her whole mind, responded as if the most wonderful drug in the world were coursing through it. She stood there, letting it happen, welcoming it with every ... with everything she had left.

She set her bags down then, and crossed the open-concept room. She opened the sliding glass door to the left of the windows, and stepped out onto the small deck. A slight breeze caressed her face, and she paused at the simple joy of it. Then she followed the short, steep path to the dock and— It was almost too much. Her eyes started to tear up as she gazed at the glittering cove, at the nothing-but-forest along the curving shoreline that ended in the pretty peninsula on the other side— Yes.

She stood there for a long while, a very long while, just staring out at the water, at the sparkles, as they were whispered by the breeze into a gleaming sheet, then as they separated again into discrete points of brilliance …

There must be a lounge chair in the shed—the garage, she corrected. She’d bring it down.

It was September, so it would be another couple hours before the sun disappeared below the tree tops. She had time.

First she’d unpack and get set up.

It took only two more trips out to her old Saturn, parked in the dirt driveway. She hadn’t brought much. She didn’t have much to bring.

The fireplace between the two large windows had an insert, she noticed, with a sort of bay window door. You could probably see the fire from the couch, she thought. Nice. She’d bring in some wood later.

The couch, a fold-away, was in front of the window on the right, but it was turned to face a large-screen television mounted on the wall dividing the main space from the rest of the cottage. She shook her head with disgust, and turned it to face the window instead, to face the lake. When she had it angled just so, she lowered herself into it. And sighed with contentment. It wasn’t quite right, but still. The view was quietly stunning.

There was a dining table with four chairs in front of the other window. She moved the entire ensemble away from the window, to the kitchen area.

The remaining corner had been walled off into what she presumed was the master bedroom.

God, how did people use that term without embarrassment?

She struggled to get the mattress off the bed and through the door, then dragged it to where the dining set had been. She opened the window. Now she would hear the loons at night. Unless they’d already left ...

When she unpacked, she saw that they’d put up a wall in the adjoining room, to make two small bedrooms, and had managed to squeeze into each of them a set of bunk beds and a cot.

Right. That way they could say ‘Sleeps 10’.

She went back out then, not to her car, but to the shed. The garage, she corrected herself again. And there it was, at the back. A Pamlico 100. Not the fastest kayak around, but virtually untippable. While in it, you could give yourself over to the beauty. Completely.

She carefully extracted it from the clutter, the water toys and yard tools too numerous to mention, let alone need, then carried it out and gently lay it onto the grass. It hadn’t been used in a long while. She smiled. She gave it a thorough cleaning, then hoisted it onto her shoulder and carried it down to the water. Once on the dock, she eased it into the lake, then secured it. She went back up to get the paddle, a life jacket, and a seat cushion, cleaned them as well, then carried them down.

She glanced behind her at the sun. Soon it would be time.

She went back up, plugged in the kettle, then found the lounge chair. While her cup of tea steeped, she cleaned it, then took it down to the dock as well. She positioned it just so, facing the end of the little cove.

She followed with her a cup of tea and settled herself onto the chair. Perfect. She took a long sip of her very good tea. She’d splurged on half-and-half.

Then, exactly as anticipated, the sun, at just the right angle, started to light up the cove, bit by bit, as it slowly panned from left to right, filling it with the most incredible emerald luminescence— It was magical.

An hour later, during which she hardly moved, hardly breathed, she got into the kayak and paddled out. She wouldn’t be able to see the sunset from the dock.

She glided past the unoccupied cottages, past the other docks, many already pulled onto shore for the winter. Then she turned slightly and headed straight for the gleaming path of the setting sun, a dancing golden brick road. She glanced up every now and then, and as soon as it no longer blinded, she stopped paddling. And just sat there, in the middle of the lake, watching as the colours became visible, dusty rose, soft lavender … The sun edged the clouds with a bright jagged line of lightning … The colours crescendoed, slowly, imperceptibly, into fuchsia and purple … Then she watched them fade, dissipate, dissolve.

She should go back, she thought.

Or she could go on. Tomorrow would be soon enough to start.

So she continued, past the stream that flowed into the lake. The current would have been too strong in spring, but now, tomorrow perhaps … She passed the marshy part, where there would surely be duck nests, then paddled along the stretch of crown land that led to the next populated cove.

She looked for the slink of otters, listened for the slap of beavers. Around the next curve, the lake was no longer accessible by road, so there was just forest. Beautiful forest. She took her time, relishing every stroke. She made her way past the little island, all the way to the end. And then she settled back, rested her paddle across her lap, and just drifted. It all— It took her breath away. And then she didn’t need to breathe. The beauty was pure oxygen to her.

A loon called. And her heart— surged.

It called again. And received an answer.

Their haunting voices in the otherwise silence, the dark of the night wrapped around her, the moon glimmering shimmering silver on the water, her hand resting in cool of it— She felt such a complete peace.

She had a month. Just one month. But one whole month.

It was well past midnight when she got back, but she had no trouble finding her way. She retied the kayak to the dock, then carefully went back up the steep path to the cabin.

She set a fire and simply gazed at it, listening to one of the CDs she’d brought. It had taken a while to choose her top thirty, and on this first night, she played her favourite arrangement of Pachelbel’s Canon. Over and over.

Editorial Reviews

"An incisive reflection on how social forces constrain women’s lives. … Great for fans of Sylvia Plath, Doris Lessing’s The Golden Notebook." Booklife/Publishers' Weekly

"Really enjoyed the novel. I like the use of a journal as the format to tell the story. ... The author gives the reader lots of food for thought. An intense novel. " Pam FitzGerald
"I find the writing style very appealing … An interesting mix of a memoir and a philosophical work, together with some amazing poetry. … This is what happens ranks in my top five of books ever read." Mesca Elin, Psychochromatic Redemption