The Sunnyside of the Deathhouse takes the reader around the world and to the bar down the street, visiting all sorts of mostly down-and-out characters along the way. The music playing in the background might be the Dubrovnik Philharmonic or a dumpster sextet, but usually it’s jazz.

Always in search of original characters and experiences, Jim Christy is a literary vagabond with few peers. He was once described by George Woodcock as “one of the last unpurged North American anarchistic romantics.” His publisher has called him a hip Indiana Jones; one reviewer credited him with a “Gary Cooper-like presence.” His buddies have included hobos, jazz musicians, boxers, and non-academic writers such as Charles Bukowski, Peter Trower and Joe Ferone. “I never dismiss another’s story out of hand,” he writes, “no matter what it’s about or how outrageous it may seem.” Christy’s often wry reminiscences of his travels, trysts and trials are fuelled by a hard-won pride. A gardener, a sculptor and a spoken word performer with a jazz/blues ensemble, Christy has been seen in film and television productions, usually in non-speaking roles as a thug or a gangster.

Jim Christy's profile page