Children's Fiction Orphans & Foster Homes
The Secret Starling
- Publisher
- Candlewick Press
- Initial publish date
- Jun 2021
- Category
- Orphans & Foster Homes, Mysteries & Detective Stories, Girls & Women
- Recommended Age
- 10 to 14
- Recommended Grade
- 5 to 9
-
Hardback
- ISBN
- 9781536213652
- Publish Date
- Jun 2021
- List Price
- $22.99
-
Paperback / softback
- ISBN
- 9781536230307
- Publish Date
- Dec 2024
- List Price
- $11.99
Classroom Resources
Where to buy it
Description
A tattered ballet slipper found under the floorboards of Braithwaite Manor may be the key to Clara’s sinister family secrets in this delightful, lightly Gothic mystery for fans of Maryrose Wood and Claire Legrand.
Clara Starling lives a life of dull rules, deadly routine, and flavorless meals under her cold uncle's strict regime—until the day Uncle disappears, leaving Clara alone in his old mansion. When streetwise orphan Peter and his rescue cat arrive unexpectedly, the children seize the chance to live by their own rules. But when the pair’s wild romps through the halls of Braithwaite Manor reveal a single, worn ballet slipper, they are hurled into a mystery that will lead to London’s glittering Royal Opera House and the unraveling of twisted Starling family secrets of poison, passion, and murder. Diabolical villains, plucky orphans, and glamorous ballet stars populate this absorbing adventure with a classic feel.
About the authors
Jo Rioux was born and raised in Ottawa, Ontario. An artist from an early age, she was eventually drawn to children’s books, illustrating Swordquest for HarperCollins and the graphic novel series A Sam and Friends Mystery for Kids Can Press. Her love for the comic medium spurred her to author her first graphic novel series, Cat’s Cradle. She lives in the lush suburbs of her hometown, where, when not working at her drawing desk, she can be found nestled within a pile of books.
Excerpt: The Secret Starling (by (author) Judith Eagle; illustrated by Jo Rioux)
ONE
Most people believe a little routine is a good thing. Babies thrive on a routine of milk, cuddle, sleep; milk, cuddle, sleep; milk, cuddle, sleep. Schools tend toward a shipshape routine of lining up, lessons, and play. A good routine, say certain people, gives you a sense of purpose and adds structure and order to the day.
But the routine that Clara had to follow at Braithwaite Manor would send those very people half mad. Day in, day out, it was always the same.
Get up, wash up (in the freezing bathroom, where icicles hung in winter), have breakfast alone in the drafty dining room. The dining room, as always, would be deadly quiet except for the solemn tick of the grandfather clock and Clara’s chewing noises, which seemed extraordinarily loud.
After breakfast came lessons, taught by a governess. The governesses changed almost on a monthly basis. “It’s like life ground to a halt in the nineteenth century!” the last one had cried, grabbing her bag and click-clacking furiously down the hall to the door.
Clara couldn’t agree more.
The house did, after all, look like something out of a Victorian gothic novel, crouching in the middle of the moors like an angry crow. A single dark turret rose up to stab the gloomy skies, and flinty little windows glittered meanly at anyone with the gumption to approach.
The governesses had strict orders from Clara’s uncle to teach her the most boring lessons known to man or woman. Clara knew full well they would have preferred to do fun projects, like making collages, putting on shows, and writing stories. But Uncle didn’t have a fun bone in his body and preferred the traditional approach: endless times tables, fiendishly hard spelling tests, and complicated grammatical exercises that made both Clara’s and the governesses’ brains hurt.
After lessons came lunch, and after lunch it was time for a walk in the scrubby grounds.
Perhaps if the sun ever shone, the garden might have held a bit more promise. After all, as certain grown-ups will tell you, there are endless games to be played in the great outdoors.
But at Braithwaite Manor, the sun rarely shone. Instead, the freezing wind whipped and whirled, and the rain spliced the air and grazed your face until it hurt.
So while the governesses swaddled themselves in fur coats found in the upstairs wardrobes and huddled on the bench reading old copies of Vogue, Clara hung around and kicked her heels on the half-frozen ground. She never felt like playing with the moldy old dirt and stones on her own.
After the walk came the dreariest part of all, the daily visit to Uncle. And here is the truth of it: Uncle was a cold man. Not a glimmer of warmth emanated from this sternest of beings. It is entirely possible that he had no real feelings at all. His eyes never twinkled. He rarely smiled. He didn’t hug, or laugh, or cry, or do any of the things that warmer-blooded humans do. As far as Clara could see, the only things he liked were rules and routine.
“Children should be seen and not heard” was his favorite saying. Clara was not to run in the house, but must always tiptoe quietly. He detested chatter, so Cook and Clara had to wait until he went out, which was rare. There was no television or radio, and he did not get a newspaper. For all intents and purposes, they were quite adrift from the outside world.
Clara had wasted hour upon hour wondering why Uncle was so mean-spirited. One likely explanation was that he was permanently grief stricken. His parents had died suddenly when he was a very young man. His sister, Clara’s mother, had died in childbirth, and Uncle had long ago made it clear that not one of the deceased was to be spoken about or referred to in any way. Clara knew she had a father somewhere out there in the great wide world, but she had stopped asking about him long ago.
“He doesn’t even know you exist,” Uncle had told her meanly. “How many times do I have to tell you before it gets into that woolly head of yours?”
The daily visits to Uncle followed a familiar pattern. There he would sit, deep in his armchair, in his cozy study in front of the one roaring fire, and gaze at Clara as though he wished she weren’t there. Sometimes he would close his eyes, breathe deeply, and open them again in a kind of despair. It was at times like these that Clara couldn’t help wondering if he would just prefer her to disappear.
Then he would ask the questions. The same questions he asked every day.
“How were your lessons today? What did you learn? Did you say your prayers?”
Clara barely heard the questions now, so familiar was she with the mind-numbing tedium of it all. Anyhow, her answers were always the same.
“Good, Uncle,” “Many things, Uncle,” and “Yes.”
The yes was a lie because Clara couldn’t always be bothered to pray, just like she couldn’t always be bothered to brush her teeth. Instead, she put her hands together, shut her eyes, and counted backward from ten.
Clara knew that if she changed her answers Uncle wouldn’t bat an eye. Once she had tried it just to see. She’d answered, “Boring,” “Nothing at all,” and “I never do.”
Then she’d squeezed her eyes shut and held her breath, waiting for Uncle to explode. Or at least to look at her and take notice. He did neither. It gave Clara a weird sinking feeling. At least now she was one hundred percent sure he didn’t listen to her any more than she cared to listen to him.
After the visit to Uncle, it was supper time.
“What’s for supper?” Clara would ask in the vain hope that Cook might say something interesting like coq au vin or beef Wellington or shrimp cocktail, some of the recipes she had read about in her governesses’ magazines. But Uncle was a firm believer in plain meals—nothing fancy was allowed.
Recently the answer was always “spreadables”: three slices of bread and margarine and a variety of jars on the table. The jars were full of untempting things like fish paste, strangely crunchy honey, and gloopy jam.
“Sorry,” said Cook when Clara’s face fell again. It wasn’t Cook’s fault. Clara knew that Uncle was terribly stingy with the housekeeping money. Last month he had halved Cook’s budget, and two weeks later he had halved it again. Cook whispered to Clara that she was almost at her wits’ end.
When supper was finished, it was time for bed. And that was it: the exact same thing, over and over, day in, day out, forever and ever, amen.
It was true that, occasionally, Uncle did disappear for a day or two. Then Clara, the governess of the month, and James, the butler, would join Cook in the kitchen for hot buttered toast and card games. If Clara was lucky, James would teach her some DIY skills. Now she knew how to saw wood, drill holes, and hammer in nails.
In bed, Clara would read until she couldn’t keep her eyes open. Besides a scrap of red ribbon tucked inside her shell box, books were the only things she had of her mother’s: a battered collection of paperbacks with yellowing pages, the flyleaf of each inscribed in violet ink:
Property of Christobel Starling.
Return if found.
Clara loved to hold the open books to her nose, inhaling the musty oldness. Her favorite was The Secret Garden, which she had read again and again. It was a shame there was nothing remotely resembling a secret garden at Braithwaite Manor. Just a patch of scrub, a tumbling-down stone wall, and beyond that, miles and miles of desolate moor.
It was hard not to feel hopeless. But Clara tried her best to look on the bright side even though the days dragged interminably and there was no one to play with, nothing new to see.
Editorial Reviews
Set in the 1970s, the story has its lighter moments, but it becomes more intense when events take a sinister turn. The lively cast of characters includes imaginative village children, a villainous exballerina, and a prince of Russian danseur. And while the ending may surprise some readers, it's sure to delight them as well. Eight full-page illustrations add to this mystery’s considerable appeal.
—Booklist
Ballet intrigue and a neglected manor in the wild Yorkshire moors take center stage in a tale of who am I and whodunit. . . . Events unfold quickly, with Rudolf Nureyev’s defection from the Kirov Ballet a key plot element. Rioux’s atmospheric, full-page, black-and-white artwork lends a nostalgic feel to the work.
—Kirkus Reviews
