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Biography & Autobiography Women

The Molly Fire

A Memoir

by (author) Michael Mitchell

Publisher
ECW Press
Initial publish date
Jan 2005
Category
Women, Canadian
  • Paperback / softback

    ISBN
    9781550226768
    Publish Date
    Jan 2005
    List Price
    $22.95
  • eBook

    ISBN
    9781554901272
    Publish Date
    Dec 2004
    List Price
    $11.95

Classroom Resources

Where to buy it

Description

 

Molly, an eighty-year-old artist, drowns in her bath while living alone on Vancouver Island. When her son, Toronto writer and photographer Michael Mitchell, arrives from the east the next day he finds a studio full of her paintings and a treasure trove of family papers that take him on a romantic journey to the far corners of the world and back as far as the early 18th century. Illustrated with Molly’s art and her son’s evocative photographs of her empty house and studio, The Molly Fire collages dance cards, war diaries, menus, naval dispatches, and news reports to create a vivid and moving memoir as well as a poignant meditation on loss and identity.

Shortlisted for the 2005 Governor General’s Award, the 2005 Drainie-Taylor Biography Prize, and a Globe and Mail Top 100 Book of 2005.

 

About the author

Awards

  • Commended, Globe and Mail “100 Best Books of the Year” List
  • Short-listed, Drainie-Taylor Biography Prize
  • Short-listed, Governor General’s Literary Award for Non-Fiction

Contributor Notes

Michael Mitchell, a Toronto-based writer, photographer and filmmaker, has a Masters in anthropology from the University of Toronto. Monsters, his pioneering study of the 19th century New York freak photographer Charles Eisenmann, was published by ECW in 2003.

Editorial Reviews

 

“A tender memoir about death, memory and family, The Molly Fire is exquisitely written and produced. The author moves from the past to the present in prose that is as lucid as the photographs that illustrate this book.” — Governor General’s Literary Awards Jury

“The elements of this story are straightforward, yet from them, Michael Mitchell has conjured a memoir of such delicacy and complexity that it deserves to stand with the best of its genre.” — The Globe and Mail