In The Essential Elizabeth Brewster, questioning, conversational poetry melds the private and the collective, exploring the challenges of constructing selfhood and voicing historically silenced female perspectives.

Elizabeth Brewster (1922–2012) was part of a second wave of modernist poets who helped influence the national conversation about Canadian poetry. Born in Chipman, New Brunswick, Brewster was the frail fifth child in a family unsettled by poverty. While her early school attendance was irregular, nothing stopped her from reading, writing, and later, seeking higher education, first at the University of New Brunswick, where she helped to establish the vaunted literary journal The Fiddlehead, and then at a number of institutions including Harvard's Radcliffe College; King's College, London; and Indiana University. She settled in Saskatoon, and taught literature and creative writing at the University of Saskatchewan from 1972 until she retired in 1990. Brewster died in December of 2012 in Saskatoon, at the age of 90. (Image courtesy of University of Saskatchewan, University Archives and Special Collections, Photograph Collection, A-11138.)

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Ingrid Ruthig, writer, poet, visual artist, and once-practising architect, is the author of This Being, which won the League of Canadian Poets' Gerald Lampert Memorial Award for best debut collection of poems in Canada (Fitzhenry & Whiteside, 2016). Her work has appeared widely – most recently in Resisting Canada (Véhicule Press) and Am, Be: The Poetry of Wayne Clifford (Frog Hollow Press). A 2018 Hawthornden Fellow and winner of a Petra Kenney International Poetry Prize, Ruthig is also the author of Slipstream (a poem sequence & artist’s bookwork) and the chapbook of poems Synesthete II, as well as the editor of several volumes, including The Essential Elizabeth Brewster (The Porcupine’s Quill, 2021) and David Helwig: Essays on His Works (Guernica Editions, 2018). She lives near Toronto.

Ingrid Ruthig's profile page