To mark the publication of Leonard Cohen's final book, The Flame, McClelland & Stewart is proud to reissue six beautiful editions of Cohen's cherished early works of poetry.
A freshly packaged series for devoted Leonard Cohen fans and those who wish to discover one of the world's most adored and celebrated writers.

Originally published by McClelland & Stewart in 1972, The Energy of Slaves is Cohen's fifth collection, and one of his most controversial. A dark and intense book, described by one critic as "deliberately ugly, offensive, bitter, anti-romantic," Cohen considered it a document of his struggle—"I've just written a book called The Energy of Slaves," he told an interviewer at the time, "and in there I say that I'm in pain." Bracing, challenging, and equally beautiful and off-putting, it remains one of his most compelling and complex works.

Leonard Cohen's profile page

LEONARD COHEN's artistic career began in 1956 with the publication of his first book of poetry, Let Us Compare Mythologies. He published two novels, The Favourite Game and Beautiful Losers, and ten previous books of poetry, including Stranger Music: Selected Poems and Songs and Book of Longing. During a recording career that spanned almost fifty years, he released fourteen studio albums, the last of which, You Want It Darker, was released in 2016. Cohen was inducted into the Rock and Roll Hall of Fame in 2008, received a Grammy Lifetime Achievement Award in 2010, and was awarded the Prince of Asturias Award for Literature and the Glenn Gould Prize in 2011. He died on November 7, 2016.

Praise for Leonard Cohen:

"After decades of music and poetry and his two novels and his rightful ascent to the top of the pantheon of artistry (Canadian or otherwise), Cohen still felt relevant and vital. Who better to keep us laughing bitterly through the lonely night? There were so few like him." —Globe and Mail

"A pop hero, he's probably the first Canadian poet of any age to achieve geunine fame abroad as well as at home." —Toronto Star

"He has a European sensibility, and he dovetails it with his jet-setting internationalism; always with a slight political undercurrent buzzing through. The poetry has this sort of free-floating world view and I love his use of image and turns of phrase, the meaning and the paradoxes that go along with being alive." —Fred Wah, National Post