NATIONAL BESTSELLER

Finalist for the Paragraphe Hugh MacLennan Prize for Fiction

A breathtaking dark fairy tale of survival and betrayal from the vivid imagination of Heather O’Neill

Fourteen-year-old Sofia Bottom lives in a small country that Europe has forgotten. But inside its borders, the old myths of trees that come alive and fairies who live among their roots have given way to an explosion of the arts and the consolations of philosophy. No one, from the clarinetists to the cabaret singers, is as revered as Sofia’s brilliant mother, the writer Clara Bottom. How can Sofia, with a tin ear and an enduring love of the old myths, ever hope to win her mother’s love?

When the country’s greatest enemy invades, and the Capital is under threat, at last Clara turns to her daughter. Sofia must smuggle her new manuscript to safety on the last train evacuating children from the city. But the train draws to a suspicious halt in the middle of a forest, and Sofia runs for her life, losing her mother’s most prized possession. Frightened and alone in a country at war, Sofia must find a way to reclaim what she has lost. On an epic journey through woods and razed towns, colliding with soldiers, survivors and other lost children, Sofia must make the choice between kindness and survival.

In this stunning dark fairy tale of a novel, Heather O’Neill reveals once again her mastery of language that is as delicious as cake and as serious as a gunshot.

HEATHER O’NEILL is a novelist, short-story writer and essayist. Her most recent novel, When We Lost Our Heads was a #1 national bestseller and was a finalist for the Grand Prix du Livre de Montréal. Her previous works include The Lonely Hearts Hotel, which won the Paragraphe Hugh MacLennan Prize for Fiction and was longlisted for the Women’s Prize for Fiction and CBC’s Canada Reads, as well as Lullabies for Little Criminals, The Girl Who Was Saturday Night and Daydreams Of Angels, which were shortlisted for the Governor General’s Literary Award for Fiction, the Orange Prize for Fiction and the Scotiabank Giller Prize two years in a row. She has won CBC’s Canada Reads and the Danuta Gleed Award. Born and raised in Montreal, O’Neill lives there today.

Heather O'Neill's profile page

"The Capital of Dreams is not so much a novel to read but one to live (and dream) in. A dark, wistfully comic fable that's as imaginative as it is poignant. An entire world that only Heather O'Neill could create." — Iain Reid, bestselling author of Foe and We Spread

"The Capital of Dreams is a feminist adventure with all of the darkness of a war novel, the charm of a fairy tale, and the heart of a coming-of-age story. O’Neill’s crystal-clear, aphoristic prose reveals complex themes about freedom, desire, and destiny. I underlined passages with one hand and turned pages with the other, rapt right through the stunning final twist." — Maria Adelmann, author of How to Be Eaten

“Uncommonly poetic, nuanced and insightful, The Capital of Dreams is a masterpiece of the tangled threads and beating hearts that make us both ordinarily human and extraordinarily magical. I wish every girl could replace her mirror with pages of O’Neill’s work, to see herself as a fierce and lusty creature well-placed to weave new worlds. The Capital of Dreams will make you grateful you wandered up a dark path and tumbled down a rabbit hole.” — Cherie Dimaline, author of VenCo and Empire of Wild

"A harrowing and all too timely account." — The Literary Review of Canada

The Capital of Dreams unfolds like a fairy tale – magical and brutal, haunting and searing – that transports the reader to an extraordinary place that is also rooted in the very real consequences of conflict. . . .O’Neill elegantly tackles intimate, complex questions about maternal devotion, freedom, individuality, creativity, and sexuality." — Quill & Quire (starred review)

"The Capital of Dreams showcases the award-winning O’Neill’s facility with world building, magic realism, whimsy-meets-grit and wisdom about the tender cusp of girlhood to adulthood that is shaped by external, often violent circumstances informed by systems of class and gender. . . .Mythic and prescient, The Capital of Dreams describes and becomes an alluring folktale of our time." — Winnipeg Free Press

“A haunting fantasy . . . O’Neill masterfully blends moments of whimsy with the grim realities of war, exploring themes of art, loyalty, and the complexities of mother-daughter relationships. The lush prose and fantastical elements draw readers into a magical and heartbreaking world. Like the best fairy tales, the result feels both timeless and painfully relevant.” — Publishers Weekly (starred review)

“The novel is told in fairy tale cadence and peppered with sophisticated animals, sensitive objects, and the enduring magic of folklore forests; its raw power lies in the way it blends the realities of war with the equally trenchant realities of its child narrator’s perspective as she navigates her suddenly irredeemable world….A powerful novel—heartbreaking, magical, and real.” — Kirkus Reviews (starred review)