The works in the exhibition Tempus Fugit share a fatalistic inclination; they collectively acknowledge our impotence in the face of a force -time- which we can neither stop nor turn back. The exhibition presents photographs by Micah Lexier and John Massey, an installation by Gary Spearin and paintings by Catherine Gibbon, Suzanne Nacha, David Bierk and Abraham Brueghel. A video by Nelson Henricks and a sculpture by Ted Bieler are also included. Essay by Linda Jansma.

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Ihor Holubizky is an art historian and curator. He has held several public gallery curatorial positions, including curator at The Power Plant Contemporary Art Gallery, Toronto, and the Art Gallery of Hamilton and has been guest curator for retrospective exhibitions of Don Jean-Louis, Walter Tandy Murch, and Kazao Nakamura at The Robert McLaughlin Gallery, Oshawa. Holubizky holds a PhD in art history from the University of Queensland, Australia, and has contributed writing to numerous publications on historical, modern, and contemporary topics in art and culture in North America, Europe, Australia, and New Zealand. He lectures on a wide range of topics across Canada, the United States, Brazil, and Australia.

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Joan Murray, an independent curator and art historian, is considered one of the most accessible of Canadian art writers and has studied and exhibited Tom Thomson for four decades. Since the late 1960s, she has been a curator of several institutions, including the Art Gallery of Ontario, and director of the Robert McLaughlin Gallery in Oshawa (1974-99) and the McMichael Canadian Art Gallery in Kleinburg (2005-6). Murray was elected to the Royal Canadian Academy in 1992 and has been honoured with the Senior Award from the Association of Cultural Executives, the Award for Lifetime Achievement from the Ontario Association of Art Galleries and the Order of Ontario. She lives in Toronto, Ontario

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