Speaking of Power: The Poetry of Di Brandt introduces the reader to the lyric power and political urgency of the poetry of Di Brandt, providing an overview of her poetry written during a prolific and revolutionary twenty-year period.
Beginning with her early poetic inquiries into the dynamics of gender, religion, and the politics of language, Brandt examines the use and abuse of power as a cultural issue, emphasizing cross-cultural and domestic relationships. Particularly engaged with questions of motherhood, the land, violence and reparation, feminism, and spirituality, Brandt explores ecopoetics, an ecology of poetry, as a possible antidote to the cultural despair of the twenty-first century.
Editor Tanis MacDonald’s introduction outlines the major movements of Brandt’s work, emphasizing the relationship of language to power and the value of a dissenting voice in a forceful cultural poetics. An afterword by Brandt completes the volume.

Winnipeg's Di Brandt is one of Canada's most loved and admired poets. Her internationally celebrated and award-winning poetry titles include questions I asked my mother; Agnes in the sky; Jerusalem, beloved; and Now You Care. Her most recent work, Walking to Mojacar, is a multilingual collaboration with gifted poets and translators Charles LeBlanc of St. Boniface, Manitoba (l'appétit du compteur : poèmes accumulés), and Ari Belathar, Mexican writer-in-exile, currently living in Vancouver (The Cities I Have Left Behind). Mojacar was shortlisted for two 2011 Manitoba Book awards, and has been nominated for the Pat Lowther Memorial Award. Di Brandt has lived in Winnipeg, Edmonton, Toronto, Windsor (Ontario) and Berlin. She currently holds a Canada Research Chair in Literature and Creative Writing at Brandon University, Manitoba (www.dibrandt.ca). Di Brandt is also an award-winning essayist and literary critic, and has collaborated with numerous other writers, critics and artists, including Annie Jacobsen, Jane Finlay-Young, Barbara Godard, Aganetha Dyck, Rebecca Campbell, Carol Ann Weaver and Jana Skarecky.

Di Brandt's profile page

Tanis MacDonald is the author of two books of poetry: Fortune (2003) and Holding Ground (2000), and is the winner of the 2003 Bliss Carman Poetry Prize. She has published articles on the poetry of P.K. Page, Lorna Crozier, and Anne Carson. She teaches English at Wilfrid Laurier University in Waterloo, Ontario.

Di Brandt’s poetry titles include questions I asked my mother (1987), Agnes in the sky (1990), Jerusalem, beloved (1995), and most recently, Now You Care (2004). She has received numerous awards for her poetry, including the CAA National Poetry Prize, the McNally Robinson Book of the Year Award, and the Gerald Lampert Award. Di Brandt recently returned to the Manitoba prairies, her home, after a decade away, to take up a Canada Research Chair in Creative Writing at Brandon University.

Tanis MacDonald's profile page

The introductions and afterwords, if done properly, can help the first-time reader to contextualize and grapple with the imaginative and intellectual material they are about to encounter. These essays can be invaluable in helping the new reader to get a broad enough sense of the poet in question to be able to read the poems from a slightly more informed perspective.'' (about the Laurier Poetry series) I found MacDonald's introduction to Speaking of Power: The Poetry of Di Brandt to be very illuminating. Her research was impeccable, and well-suited to the fiery, furious, rebellious poetry it sets up. MacDonald deftly summarizes the arc of Brandt's intense career, emphasizing her (Brandt's) belief that 'poetry must be, at its core, concerned with the political power of language' (ix), as well as her decidedly feminist and radically spiritual ecopoetics.... In her afterword, Brandt rais[es] the question, are we, as a society, simply too comfortable to be disturbed by poetry's insistent voice? Too well-fed? When will we care? asks Brandt....Her afterword is both emotionally and intellectually stimulating....Here is poetry (and a poet) with a vision....Can I get a 'hell yeah'? And a 'hell yeah' for MacDonald too....Poetry like Brandt's...deserves the larger audience WLUP is attempting to win for it. I am crossing my fingers, and hoping that it succeeds.

Jennifer Houle, PoetryReviews, September 2006, 2006 October