A welfare cheque floats down the river, a cowboy spreads the Word of the Lord and crotches tick like clocks: the world of Spare Parts is unpredictable, evocative and vividly distorted. Its initial appearance, in 1981, caused a stir; at a time when linear narrative was the m.o. of feminist writing, Gail Scott had the nerve to fracture and dislocate her stories and her language.

Spare Parts is as vital as it was twenty years ago. Scott's densely textured tales about the world of growing up female in a small town, where violence lurks just beneath the skin, recreate the uncertainty of life. Their incantatory language and tough imagery are as relevant and crucial now as they were then.

This edition adds two new pieces, including 'Bottoms Up', an essay on narrative which first appeared on the 'Narrativity' website Scott co-edits.

Gail Scott is an experimental novelist. The Obituary (New York, Nightboat, 2012; Coach House, 2010), a ghost story set in a Montreal triplex, was a 2011 finalist for Le Grand Prix du Livre de la Ville de Montreal. Other novels include My Paris (Dalkey Archive), about a sad diarist in conversation with Gertrude Stein and Walter Benjamin in late 20th century Paris, Main Brides and Heroine. Spare Parts Plus 2 is a collection of stories and manifestoes. Essays are collected in Spaces Like Stairs and la theorie, un dimanche (translated as Sunday Theory from Belladonna, NY, 2013). Scott's translation of Michael Delisle's Le D'asarroi du matelot was shortlisted for the Governor General's award in 2001. Scott co-founded the critical French-language journal Spirale'(Montreal) and is co-editor of the New Narrative anthology: Biting the Error: Writers Explore Narrative (Toronto: Coach House, 2004). She is currently completing a memoir based in Lower Manhattan during the early Obama years.

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